The Diputación de la Grandeza and the organization of 'Retrospective Art Exhibitions' in the second half of the nineteenth century.

This paper analyses the art policies deployed by old Spanish nobility in the second half of the nineteenth century, and in particular those who became involved in organising what were then known as retrospective art exhibitions. The old nobility, whose families held titles that dated back to the sixteenth and seventeenth centuries and belonged to the category of Grandes (Grandees) of Spain, joined together in the Diputación de la Grandeza de España – a private association created in opposition to the new nobility. It was a consultative institution attached to the Crown and created in 1815 under the honorary presidency of the King. This paper argues that the distinction sought by this regrouping of the old nobility does not imply lack of engagement in the new artistic model based on the notion of fine arts, in which they were responsible for a number of rather telling nuances. As well as sharing with the bourgeoisie the general idea that the arts were in need of protection, the nobility cultivated the image that patronage of the arts was linked to tradition, and this had consequences for the evaluation of history, the musealisation of their private collections and the public reception of old art. [ABSTRACT FROM AUTHOR]