Clear as Mud: Metaphor, Emotion and Meaning in Early Modern England.

This paper argues that the recent trend in early modern studies occasionally referred to as the “new humoralism”, which lays heavy emphasis on the physiological and humoral significance of the emotions in seventeenth-century Renaissance literature, pays insufficient attention to the theological traditions of Christian humanism in the sixteenth century. In particular, the article traces a trajectory of the use of metaphors of clean versus muddy and calm versus turbulent water in Erasmus, John Calvin, John Donne and Edward Reynolds to illustrate the complexity of literary-theological discourse revolving around affectivity in sermons, treatises and biblical commentaries in the period, while simultaneously establishing the continuity of an exegetical tradition concerning Christ’s emotions. [ABSTRACT FROM PUBLISHER]