London life and romance on the home front: Patricia Brent, Spinster (Geoffrey H. Malins, 1919).

The article discusses London life in the First World War as the setting for Herbert Jenkins’ novels and short stories, adapted, post-war, to film. It discusses the role of theatre as a feature of ordinary life continuing, and theatre’s address of extraordinary circumstances, notably with reference toChu Chin Chowand various ventures undertaken by Oswald Stoll (subsequently known as a film producer) and the place of pageantry on screen, on the stage, and on London streets. Rather than dismissing post-war screen adaptations of previous stage and page hits as merely derivative, the article suggests that these be considered as testimony to the place of theatre and publishing in Londoners’ experience and memory of wartime. It is particularly concerned with the 1919 adaptation, ‘The Air-Raid Film’,Patricia Brent, Spinster, directed by Geoffrey H. Malins, OBE, after 1916 best known to cinema audiences for his work onThe Battle of the Somme. In the context of a light romantic comedy, interlarded with farce, Jenkins conveyed a sense of hopes for post-war reconstruction, exhibited also in ‘war touch’ films of the 1920s. Furthermore, in Patricia’s model behaviour, the film anticipates what came to be known as ‘the Blitz spirit’ in the Second World War. [ABSTRACT FROM PUBLISHER]