‘A land history of men’: The intersection of geomorphology, culture and heritage in Cornwall, southwest England.

Abstract: Relationships between landscape-scale geomorphology and aspects of the human environment (including heritage and material cultures) are best examined in landscapes with a strong geomorphological imprint of past climatic and environmental changes, and where human activity has been present for a long period of time. In Cornwall, southwest England, a strong geomorphological signature is imparted by weathering of granite bedrock under cold Quaternary climates, and a strong cultural and heritage imprint is manifested in material and nonmaterial ways through archaeology, art, literature and folklore, and is illustrated in this paper through examples of Bodmin Moor (north Cornwall) and West Penwith (west Cornwall). Landscapes of Bodmin Moor include wide valleys with underfit rivers and upland summits with prominent tors, resulting from granite weathering and slope processes during the Tertiary and Quaternary. Pollen records show how human activity has changed on the moor over time, with a peak of settlement during the Bronze Age, and expansion of grazing into the Iron Age. Daphne du Maurier's novels, set on or adjacent to Bodmin Moor, emphasize the moor's relationship to unstable and intense human emotions and crises. In West Penwith, which is geomorphological similar to Bodmin Moor, geomorphology–culture relations are demonstrated in different ways but through a similar sense of place and regional identity. The St Ives School of early 20th Century art, including the local artist Peter Lanyon and the sculptor Barbara Hepworth, draws inspiration from the local land and seascapes. The oral traditions and folklore of Zennor emphasize the importance of witchcraft and superstition that are in part founded on the wildness of upland summits and stormy coastline. Across West Penwith, tin mining and the mining trade exerted a strong impact on regional socioeconomic and cultural development from the Bronze Age until the end of the 19th Century, seen through settlement patterns, scientific innovation and Nonconformism. Today these geomorphology–culture relations are memorialized in the Cornwall and West Devon Mining Landscape World Heritage Site. [Copyright &y& Elsevier]