‘Bless the Gods for my pencils and paper’: Katie Gliddon's prison diary, Percy Bysshe Shelley and the suffragettes at Holloway.

This article discusses the life and imprisonment of the largely unknown middle-class artist and British suffrage activist Katie Gliddon and analyzes her extensive prison diary, secretly written and drawn in her copy of The Poetical Works of Percy Bysshe Shelley at London's Holloway Prison in March and April 1912. By creating a platform for the voices of ‘ordinary’ prisoners and by opening up a space for a transgressive gaze between suffragettes, ‘ordinary’ prisoners and female officers, Gliddon's writings allow us to complicate our understanding of cross-class relations within the women's suffrage campaign and in women's prisons more generally speaking. [ABSTRACT FROM PUBLISHER]