"Et le moyen plain de paine et tristesse": Solution, Symbology, and Context in Ockeghem's "Prenez sur moi".

The article presents an analysis of the vocal musical work "Prenez sur moi," by the 15th-century Franco-Flemish composer Johannes Ockeghem. Details are given outlining the unorthodox notation utilized for the three-voice canon, particularly its key signature. Analysis is then offered for both the textual basis and the melodic constructions of the work.