Introduction to Nina Farhi's 'Hands of the Living God: 'Finding the Familiar in the Unfamiliar''.

In this Introduction we set the project in a particular moment of mourning. We describe the experience of engaging with Nina Farhi to publish her paper, recounting and reworking an early and famous analysis conducted by Marion Milner. Farhi's unexpected and untimely death just at the point of developing this extended project has cast a pall over the subsequent work. We detail the history of Farhi and Milner's contribution; her influences from Winnicott, Klein, and Ghent; and her radical extension of Milner's own ideas. We survey, in this Introduction the dialogue, in two iterations, of Jeanne Wolff Bernstein, Dodi Goldman, and Avgi Sekatepoulou. We describe the distinct but interwoven dialogues among these three writers, each concerned in different ways with aspects of Farhi's and, earlier, of Milner's project. We record also the work of Jean White, who stakes out a less mournful and more celebratory aspect of Nina Farhi's and Marion Milner's work and the tradition in psychoanalysis that they represent. [ABSTRACT FROM AUTHOR]