The politics of rebirth in Colm Toibin's 'Three Friends' and 'A Long Winter'.

This paper explores the compatibility of Catholic and homosexual identities. Because the language of Catholicism is so deeply entrenched in the popular imagination, I aim to show that not only does it provide a vocabulary for oppression but also for change. For the contemporary Irish novelist, the latter means conferring new meaning onto formerly oppressive language. In 'Three Friends' and 'A Long Winter', two short stories from Toibin's Mothers and Sons (2007), the protagonists undergo a 'baptism' that signals their emergence into a new world, one tolerant of homosexual desire. Fergus, in the ocean, and Miquel, in the bathtub, experience moments at once erotic and cleansing. I outline their participation in the traditional world - the time before their bathing rites - in contradistinction to a re-imagined, modern, 'queer' world. I argue that Toibin appropriates a Catholic, and therefore heteronormative, rite in a way that includes homosexuals. Thus, he reworks an oppressive framework in order to allow for the formerly excluded to participate and celebrate their non-heteronormativity, or queerness. [ABSTRACT FROM AUTHOR]