Performative Masculinities in Eric Bogosian's Sex, Drugs, Rock & Roll.

Eric Bogosian's Sex, Drugs, Rock & Roll provides a case study of masculinities as they were performed in society in the 1980s and performative directions for masculinities in the future. In this article, using Arthur Frank's sociology of the body as an organizing lens, I examine the rich narratives Bogosian wrote and performed. The problematization of the performance of the male form provides fertile ground for testing what it meant to be a man at the time and more importantly how masculinities danced across popular culture using consumer, aggressive-consumer, aggressive, and communicative forms. I interrogate Bogosian's performance as a text that argues against the "sex," "drugs," "rock & roll" lifestyle of the era in favor of a more communication-based orientation. [ABSTRACT FROM AUTHOR]