Nem presa, nem morta: visualidades do ativismo feminista como carrossel de telas no Instagram.

In recent years, we have observed how images participate in the dispute over feminist agendas, no longer as a representation of groups of women or a historical record of their actions, but as constituent resources of the political agenda itself. Photographs and videos gain even more prominence as they are associated with the media emergence of everyday facts and episodes that circulate in journalistic coverage and profiles on social networks engendering a particular form of consuming images. This text proposes a theoretical and critical exercise on two recent audiovisual reports about the demonstrations for legal and safe abortion in Brazil on Instagram. In both, we observe how images guide the discursive and affective formations that link visuality and consumption. [ABSTRACT FROM AUTHOR]