Scudéry’s portraits: patriarchy, agency, and genre.

In the ongoing project of recovering and (re)integrating early modern European women philosophers, scholars have been re-examining not only who counts as a philosopher, but what kinds of works are properly understood as philosophical. Madeleine de Scudéry is best remembered as a novelist, but some scholars have argued that her dialogues are richly philosophical. Here, I examine an early and overlooked text from Scudéry – <italic>Illustrious Women</italic> – which is a collection of speeches of historical women who find themselves in dire circumstances. I argue that <italic>Illustrious Women</italic> offers a sophisticated critique of patriarchal power: Scudéry exposes the conflict between epistemic and practical agency under conditions of gendered oppression and illustrates specific manifestations of this harm concerning control, autonomy, and consent. In so doing, particularly through the genre of oratory, Scudéry’s <italic>Illustrious Women</italic> is both a work of seventeenth-century feminist resistance and a subversive educational tool. [ABSTRACT FROM AUTHOR]