Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness.

The article focuses on the evolution and hybrid nature of Chinese classical dance (gudianwu), exploring its development since the establishment of the People's Republic of China in 1949 and its role in promoting national identity. It argues that the integration of elements from Soviet ballet and traditional Chinese theatre has created a unique dance form that challenges essentialist notions of Chineseness, presenting gudianwu as a product of postcolonial modernity.