REAL ESTATE, PHOTOGRAPHY, AND CAPITALIST ABSTRACTION. ON EDGAR MARTINS' THIS IS NOT A HOUSE, DANIEL SHEA'S 43-35 10TH STREET, AND LEWIS BUSH'S METROPOLE.

The paper analyses three photographic bodies of work — Edgar Martins' This Is Not a House, Daniel Shea's 43-35 10th Street, and Lewis Bush's Metropole — looking at various aspects of the real estate market: real estate collapse and the 2008 financial crisis in the USA, as well as real estate boom and gentrification in New York City and London. The case studies depict the real estate industry as an example of how invisible and abstract market processes shape visible and concrete domains of everyday life, such as, income inequalities, social relationships, or public space aesthetics. The artists in question use photography as a tool to deconstruct the abstractions of neoliberal capitalism through an attempt to visualise the invisible. By examining the three case studies in the light of economic theory on the real estate market, the paper defines links between neoliberal capitalism and the medium of photography using the idea of abstraction, and shows how photography is used to dissect the complexity of economic processes taking place within the realm of neoliberal capitalism. [ABSTRACT FROM AUTHOR]