Una mirada del arte drag queen en Costa Rica desde la transculturación y el barroco americano.

This paper is part of the work in process' doctoral thesis on drag queen art in Costa Rica, as a dissident and resistance artistic representation. It is a case study analysis based on transculturation, as a historical sociocultural interpretation method and the American Baroque, also a method for interpretation and an artistic style consolidated during Latin America national identity formation processes in the Spanish colony from 16th to 18th centuries, that for some authors continued in its neo-baroque version from 19th to 20th centuries, influencing the 21st century Costa Rica's drag queen artistic representations postmodern aesthetic. [ABSTRACT FROM AUTHOR]