Snow globes and instant coffee: transparent commodities and the global infrastructures of late capitalism in contemporary fiction.

Fredric Jameson's 1984 essay 'Postmodernism, or the Cultural Logic of Late Capitalism' famously calls for new forms of representation that can provide a better notion of the sublime world space of multinational capital. Jameson states that such aesthetic scale models are yet unrealised, but this essay argues that a number of contemporary novels, including Emily St. John Mandel's Station Eleven, Ben Lerner's 10:04 and works by Matias Faldbakken, Sally Rooney and William Gibson, present us with global figurations that are both more banal and more sublime than Jameson could have imagined. These novels all contain scenes where ordinary commodities are turned inside out in staggering leaps of scale, which constitute original figurations of the global infrastructures of late capitalism. Drawing on Bill Brown's thing theory, Jennifer Wenzel's notion of commodity biographies, and different theories of scale in the Anthropocene, I analyse different examples of this figure, which I term transparent commodities. In the concluding section, I show how these figurations prefigure the current global supply chain crisis, and I return to Jameson's original demand for representations of the global totality, which I discuss in dialogue with my analyses as well as theories of planetarity by Gayatri Spivak and Dipesh Chakrabarty. [ABSTRACT FROM AUTHOR]