Walking, the body, and the pandemic: the public value of walking art in China.

In December 2022, the dynamic zero-COVID control policy came to an end, marking the conclusion of a three-year pandemic that affected 1.4 billion Chinese people. The pandemic and related policies created a unique, temporary, and historic social ecosystem where walking became more crucial than ever before. The pandemic not only severely restricted people's movement in public spaces but also exposed the longstanding contradictions between human bodies, modern mobility, and urban space. Over the three years of the pandemic, walking became an aesthetic survival attempt by Chinese people to cope with their limited freedoms under the pandemic. As the pandemic stagnated and worsened over time, walking-dominant activities gradually became a widespread social phenomenon that encouraged urban residents to participate in rebuilding society across various fields such as politics, art, nature, etc. The development of walking as an artistic form during this period represents a new aesthetic strategy and political awakening while reflecting humans' need to reconnect with land, social space, and their own bodies. This paper reviews how walking art has evolved historically through three periods – before, during, and after the pandemic – aiming to highlight both the public value of walking art and challenges within China's social ecosystem. [ABSTRACT FROM AUTHOR]