Always a Trace: Archaeological Absence, Indigenous Presence, and Depictions of "Contact" Experiences in North Australian Rock Art.

In this paper, we explore how we might "see" and interrogate absence and presence in the archaeological record. Our aim is to bring into question the epistemic lens (archaeological), through which absence is made visible, and the epistemic lens (Indigenous knowledge), through which absence is made impossible. To do this, we turn to the contact rock art record from Yanyuwa Country in northern Australia, where, despite four centuries of contact with the "other" (Indonesian trepanger gatherers and Europeans), no motifs depicting introduced subject matter resulting from these encounters have been found. Rather than attributing this absence to taphonomic factors, we argue that it can be understood as an Indigenous presence when juxtaposed with the richly narrated lifeworld of the Yanyuwa. For Yanyuwa, creating rock art is a non-human-centered activity; it is through the actions of Ancestral Beings and spiritual entities that all rock art, potentially including introduced subject matter, is made and taken away according to cultural circumstances such as Yanyuwa health and well-being and changing engagements with country during postcontact times. We conclude by advocating for archaeologists to look outside of or suspend Western-oriented frameworks and reasoning and turn to self-determined Indigenous ontological and epistemological habits around how absence appears and operates. [ABSTRACT FROM AUTHOR]