Global Gallicisms: the postnational popular in francophone European film and television since 2010.

This text explores the concept of postnational cinema and its relationship to transnational cinema in the context of French film and television production. It discusses the diversification of offerings and audiences, as well as the connections between different levels in the production and consumption of media. The text includes analyses of various French and francophone productions, examining their strategies for appealing to international audiences and their portrayal of national identity. The authors suggest that the rise of streaming platforms and increasing intercultural literacy may lead to the prominence of less familiar territories and cultures within mainstream cinema circuits. They emphasize the importance of research in understanding our globalized world. [Extracted from the article]