AYFER TUNÇ'UN KURU KIZ ROMANININ OİDİPUS KARMAŞASI, KÖTÜLÜĞÜN SIRADANLIĞI VE İĞRENÇLİK KAVRAMLARI AÇISINDAN İNCELENMESİ.

Ayfer Tunç, who started her writing career in newspapers and magazines in the 1980s, addresses the difficulties of being a woman in a selfish, opportunistic, hypocritical, greedy, deceitful, and objectifying society in her latest novel, Kuru Kız. The symbolic narrative of the novel allows for both thematic and psychoanalytic examination, which can be interpreted through concepts such as Freud's Oedipus Complex, Kristeva's "abjection," and Arendt's "banality of evil." The connections between these concepts and the novel Kuru Kız are interpreted with examples from the text. There are significant parallels between the harassment of the sister by her brother and the subsequent events, and the mythological story of Oedipus, indicating a psychoanalytic construct where "The Brother" character embodies traces of guilt and abjection. The behavior of the neighborhood residents exemplifies thoughtlessness and lack of judgment, in line with Arendt's concept of the banality of evil. The concepts of abjection and disgust serve as symbols of "resistance" against the evils portrayed by the other two concepts in Kuru Kız's inner monologues. Ultimately, the novel allocates a significant portion of its narrative to the psychological and sociological roots of the evils manifested or endured by Kuru Kız and those around her. The author suggests "taking action" as a way out for women through the message conveyed in the novel. Merely being aware is not sufficient for women to find peace in their lives; they must bravely implement the necessary changes. The novel Kuru Kız contains strong evidence to be considered an example of a female bildungsroman, as it encapsulates the coming-of-age story of a woman. [ABSTRACT FROM AUTHOR]