Kaala, a counter-narrative to Hindutva from an Ambedkarite perspective.

The right-wing extremists, BJP and RSS, have a long-term mission to construct a Hindu nation bound by Ramrajya, a political model derived from the epic Ramayana. In its nationalistic project, the Hindutva desires to incorporate Dalits. For achieving the same, it usurps Dalits by appropriating Ambedkar – through strategically eroding his radicalism. Additionally, it uses Ramayana as a cultural tool to de-ideologize Dalits. It promotes Ramayana as an egalitarian epic to Dalits – for subsuming them within the Ramrajya politics. Dalits are losing political consciousness and they are disoriented by the Hindutva. In this article, I explore how a Tamil film named Kaala, directed by Pa. Ranjith, has countered these efforts of the Hindutva in the popular culture. In Kaala, Ranjith challenges the Hindutva's appropriation of Dalits by re-creating Ambedkar's radical legacy on the big screens. In the film, he re-narrates the epic from an Ambedkarite perspective to counter the Hindutva's efforts in de-ideologizing Dalits. Ranjith is a radical director who makes various transformations in Tamil cinema. His vision is to carry forward Ambedkarite politics in the popular culture. In this article, I explore how he effectively counters the Hindutva. To accomplish the objectives of the study, I use Ambedkarite framework as an analytical tool. [ABSTRACT FROM AUTHOR]