Beyond good and evil: imagined nation in Hindi films.

The influence of Indian films on popular culture and the influence of dominant political ideology on Indian films are interspersed with dialectical variations. Although a binary representation of these subtleties remains elusive, while promoting ideological superstructures in society, ‘the relatively mixed, confused, incomplete, or inarticulate consciousness' is replaced with a ‘generalised system'. In practice, the tendencies governing public emotions during moments of crisis are employed as tropes in Bollywood films. However, the ontology of political underpinnings and subversive ideological possibilities that enmesh lived experiences remain smothered by an unproblematic representation of historical events. With this rationale, the paper analyses three Bollywood films <italic>Panipat</italic> (2019), <italic>Tanhaji</italic> (2020) and <italic>Samrat Prithviraj</italic> (2022). These films seem to auger the idea of Dharma and Ramrajya in the construction of a Nation catering to the populist notion of a safe and secure nation under just Hindu rule. The paper argues that these films cater to the framework of historiography promulgated by the colonial historians on one hand; and function as a contrapuntal response to the ideological moorings of the leaders of the All-India Muslim League. This objective is achieved by a stereotypical and binary projection of good and evil by glossing over the ‘mixed consciousness’. [ABSTRACT FROM AUTHOR]