DESDE LA MUJER SÍMBOLO A LA POLÍTICA DE LA MUJER EN LOS DETECTIVES SALVAJES Y 2666 DE ROBERTO BOLAÑO: UNA LECTURA FEMINISTA.

This text will address the figure of women in two fundamental novels by Roberto Bolaño: Los detectives salvajes (The savage detectives) (1998) and 2666 (2004). In the first, the aim is to corroborate the existence of a sacred elaboration of women. In this regard, it is worth considering the figure of Cesárea Tinajero not only as the myth of the avant-garde artist, but as the avant-garde itself. In regard to 2666, specifically in "La parte de los crímenes", the aim is to account for a revealing twist in Bolaño's perspective regarding women, who stop being a literary symbol to become a political subject; highlighting in such a way, a central issue for feminism, gender violence. [ABSTRACT FROM AUTHOR]