Theorising Belle Époque Rio de Janeiro through Opium: João do Rio's "Visões d'ópio" as a Postcolonial Framework.

In 1905, Brazilian writer João do Rio published the crônica "Visões d'ópio" (Visions of opium), an account of his forays into the Chinese opium dens of Rio de Janeiro. While opium is often emblematic of both Parisian cosmopolitanism and exotic Orientalism in fin-de-siècle literature, I argue that the drug is less a replication of these coordinates in Brazil than a method of geopolitical thinking. Drawing from opium's extractive history in China and its versatility as a material thing – plant, commodity, drug, alkaloid – I argue that opium as theory and praxis not only reconfigures the writer's experience of Rio, but also makes stark the strategies behind and costs of Brazil's colonial formation. While opium sustains a desire for modernity through its exotic and cosmopolitan imaginaries, its destabilising effects on the body disrupt fantasies of colonial amalgamation, exposing histories of extraction and racialised labour implicit in the drug's circulation. Through an analysis that bridges empirical and new materialisms – and from a Chinese geographical axis that puts Brazil into a transnational dialogue beyond Europe – opium becomes a medium for thinking through Brazil's colonial roots and its place in the world among other nation-states during a period of transition from empire to republic. [ABSTRACT FROM AUTHOR]