Evaluación del prototipo V.S.C.O. (Video Sintetizador de Control Ocular) como producto de investigación creación.

This article presents the methodological process of creation in the development of the V.S.C.O (Ocular Control Video Synthesizer) software, which is the result of the research-creation project of the same name that gathers evaluation results of its prototype through user-centered design (UCD) tools. The user-software interface is also part of the conceptualization of an artwork that operates in the context of digital art and computational art. The descriptive methodology and mixed approach will allow, through the collection of user data, to delve into the public/player experience that integrates a typology of play in the field of creation and entertainment, thus demonstrating in a perceptual evaluation of the digital artwork how it promotes states of mental relaxation in the audience. The connection between sound and visuals in the V.S.C.O computational system is also appreciated, aligning with the aesthetic and technical purposes of Visual Music, an aesthetic that dates back to the early 20th century and aimed to create a temporal architecture realized in the synesthetic fusion of colors, shapes, and movements. It is expected that the visual and auditory dynamics of the V.S.C.O, through its interaction capabilities with the audience in space, will construct its own temporal architecture, linking it with the technical and poetic aspects of Visual Music. [ABSTRACT FROM AUTHOR]