Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition.

The article discusses the dynamics of spectatorship and exhibition organization in the context of Documenta 15. It explores the altered role of the spectator resulting from the hyperrelational nature of the exhibition. It examines the presentations of various projects within Documenta 15, focusing on the intersections between art, marginalized communities, . It also discusses how the exhibition's principles challenge conventional notions of spectatorship and representation.