الإيقاع في شعر محمود درويش في ضوء تحولات المعرفة.

This research aims to monitor the rhythmic shifts in Mahmoud Darwish's poetry, because it is decisive turn after leaving Beirut, accompanied by the demise of the Grand narratives that dominate the first poetic discourse, where the truth was based on a tribal horizon to express the collective Palestinian or Arab concern. The second discourse started from the unknown after it abandoned the high structures and transcendental structures, to produce knowledge that unfolds on the horizon of language, a knowledge that is fluid, and changes with each reading, which in turn will be called the change of the rhythmic pattern, or let us say that it called for a different rhythm through which knowledge is actually revealed. After it was manifested on the horizon of significance in words, this change and change in the images of rhythm that accompanied the transformation and change of the images of knowledge perhaps the concept of knowledge itself_ which is what the research seeks to reveal in significant models of the poet's poetry. [ABSTRACT FROM AUTHOR]