CEVDET ÇAĞLA'NIN HİCAZ HÜMÂYÛN TAKSİMİ ARŞE KULLANIM ANALİZİ.

The violin has undergone many physical changes since the 1700s. With these changes, violinists and teachers developed new positioning techniques and bow techniques. These developed techniques have facilitated the performance of works with high difficulty levels. From the 16th century, European performers, who came by European performers for ceremonies and entertainment, introduced the violin to Turkish culture. As a province, Viola D'amore, one of the Viol varieties, was used in Turkish music and was called Sine violin. Although the violin used in our music in its most recent form was added to Turkish music later than our classical instruments, it has an important place in Turkish music. It can be thought that it has an important place in our music due to the bow and other violin techniques developed for centuries. A violin method has not been written on the technical development of Turkish music violin performance. However, Western music violin methods were used. In order to further develop the bow techniques used in Turkish music violin performance, violin performances should be examined. However, there are not many sources where we can visually examine the right and left hand techniques of our old violinists. In this study, the bow usage analysis of Cevdet Çağla's performance in the video video of the Hicaz Hümâyûn taksim in the TRT archive will be made. [ABSTRACT FROM AUTHOR]