LAS TENSIONES DEL MIRACOLO ITALIANO EN LA OBRA ENSAYÍSTICA DE ELELSON DE LA DÉCADA DE 1950.

In light of the postulates of Jaleh Mansoor (2016) in Marshall Plan Modernism, and Paul Ginsborg (1990) in Italy. Society and Politics 1943-1988, this article inquires into how the social, political, and economic history of Postwar Italy emerges in Eielson's cultural essays of the 1950s. From this review I propose that Eielson resolves the tensions produced by the Italian miracolo from a return to historical and cultural memory in the terms of the Gruppo Origine. [ABSTRACT FROM AUTHOR]