Fence, Flavor, and Phantasm: Japanese Musicians and the Meanings of Japaneseness'

This paper explores senses of ‘Japaneseness’ among Japanese musicians today by considering the words of 32 musicians—from koto and shakuhachi masters to jazz saxophonists, rock guitarists, and classical and electronic composers-in a provincial Japanese city. Their diverse senses of cultural identity are analyzed through three metaphors through which they express themselves: Japaneseness as a fence, walling off Japanese from change and foreignness, Japaneseness as a flavor to be enjoyed by anyone in the world who so chooses, and Japaneseness as a phantasm: Japaneseness obliterated, to be created anew if enough people can be convinced of the validity of such a recreation. This paper suggests that these metaphors may be useful in explicating cultural identity across a broad range of settings beyond music. [ABSTRACT FROM AUTHOR]