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Latino? Chicano? Guatemalan American? Queer Visual Artist? Alex Donis's Intersecting Positionalities and Representations of (US) Central America(ns).
- Source :
-
Aztlan: Journal of Chicano Studies . Fall2022, Vol. 47 Issue 2, p17-46. 30p. - Publication Year :
- 2022
-
Abstract
- In this essay, I examine how scholars and art critics have categorized Guatemalan American visual artist Alex Donis and how he has self-identified. I argue that the roles in which Donis has been cast underscore the ways US Central Americans are made invisible within discussions of Latina/o/x and LGBTQ+ art. I critically analyze two of his works, the silkscreen Rio, por no llorar (1988) and the painting Guatemala vs USA (Carlos (El Pescadito) Ruiz & Carlos Bocanegra) (2014), tracing a Guatemalan and Central American presence in Donis's visual art that is often overlooked in favor of a Chicanocentric framing in conversations about his work. While recognizing the influence that Chicana/o/x art and culture have had on Donis, I locate Donis and his visual art as a critical entry point into how US Central Americans have been rendered invisible within both dominant US and Latina/o/x imaginaries of Latinidad and imaginaries of queerness. Establishing a more complex understanding of Donis and his body of work, I discuss his oeuvre through a relational, intersectional, and transnational lens that allows for a multilayered understanding of his positionality within the frameworks of Latina/o/x ethnoracial identity formation, Chicana/o/x cultural production, and US Central American cultural and historical specificity. [ABSTRACT FROM AUTHOR]
Details
- Language :
- English
- ISSN :
- 00052604
- Volume :
- 47
- Issue :
- 2
- Database :
- Academic Search Index
- Journal :
- Aztlan: Journal of Chicano Studies
- Publication Type :
- Academic Journal
- Accession number :
- 158217646
- Full Text :
- https://doi.org/10.1525/azt.2022.47.2.21