FEMİNİST TİYATRO VE MİMETİK AKSİYON.

Mimesis, as an aesthetic concept, has evolved and transformed from the point of view of many philosophers, practitioners in theater and other artistic branches, and artists since Ancient Greece, but it has essentially been a concept that emphasizes the imitation and re-creation features of art. Handled as a creation of the artistic by imitating the truth, mimesis has entered a process of questioning again to determine more political, more social and cultural points of what needs to be addressed in the imitation and re-creation process. In the times when universal truths began to be questioned, the origin of imitation and the way it should be handled became one of the main topics of feminist artists and writers. The fact that mimetic activity has come to this day through the filter of patriarchal society, has been criticized in feminist works and thus led feminist artists to bring in distinctive features to the forefront in terms of subject, form, language, and staging elements especially in feminist theater plays. This study, which attempts to inspire future studies, points out the place and importance of contemporary feminist concepts such as gender in terms of acting, stage text and staging forms, based on feminist examples in our country and the world. [ABSTRACT FROM AUTHOR]