The Future History of Contemporary Chinese Art.

Wang also describes her book as seeking to elucidate "unquestioned assumptions about interpretation and dominance of geospatial paradigms" (p. 20) - in other words, regarding Western/ized post-Enlightenment academic/artworld discourses. Detailed understanding of Wang's polemic requires a significant prior engagement with contemporary Chinese art studies. Wang's book indicates possible advances in terms of a closer attention to the means and intentions of artistic production across sociocultural boundaries. [Extracted from the article]