Três Movimentos Descontínuos de Rose Bob: o ultraconceitualismo na música dos anos 1960.

Three Discontinuous Movements by Rose Bob (2018) was the result of artistic research motivated by the ultra-conceptual art practiced in the 1960s. The piece for piano and live electronics was inspired in chapter 23 of the novel Rayuela by Julio Cortázar, published in 1963. The sound material was adapted from Antinomies I, by Rogério Duprat, composed in 1962 and rewritten in 1966. The methodology employed in this research was the construction of a musical work from textual indications and diagrams. We hypothesize that this composition would lead to a discussion about its probable formal structure. This text also seeks to investigate the simultaneous emergence of projects that, in different artistic segments, articulated and proposed joint actions in a period in which the political eruption and the growth of the media implied profound changes in the mechanisms of the public scene and the creation of images cultural. [ABSTRACT FROM AUTHOR]