Garvey-Rodney-Marley: a Pan-African bridge over Cuba.

The race/colour question and its political implications in Cuba have been foregrounded recently. A cross-section of Cuban society has encouraged discourses on racial awareness and anti-racist epistemologies as direct or indirect, but positive, outcomes of the encounter with ideas of decolonisation promoted by Black movements and readings of Black Caribbean intellectuals. Through history and the multidisciplinary nature of cultural studies, this article explores regional intersections among Pan-Africanism, Caribbean social and intellectual thought, and some expressions of these ideas in Cuba. It focuses on identity, Black consciousness and the tangential impact of Pan-Africanism as a political ideology on Cuba in three different periods. The author argues that the ideas of Marcus Garvey, Walter Rodney and Bob Marley provide ideologically connecting points in the assessment of cross-cultural connections between Cuba and the Caribbean. [ABSTRACT FROM AUTHOR]