El hombre que supo algo de lo Real: A Ghost Story (David Lowery, 2017).

This paper proposes a textual analysis of the film A Ghost Story (David Lowery, 2017), from its psychoanalytical and philosophical dimensions. To do so, it uses a methodology of textual analysis that considers both the Lacanian apparatus as well as the one derived from the hauntology outlined by Mark Fisher from the texts of Jacques Derrida. Thus, the relationship between love and death is explored taking as axis, the writing, the function of the word and its implications in memory. [ABSTRACT FROM AUTHOR]