CONSTRUCTORES DEL "BUEN GUSTO": LA CRÍTICA DE ARTE EN CHILE A PRINCIPIOS DEL SIGLO XX.

Towards the end of the nineteenth century and the initial of the twentieth, art writing was exercised in Chile by theorists that acted provided of a certain authority adding a roughly traditional and European-rooted model. They marked a certain hegemony over the space of local culturea situation that will be modified later with the emergence of critical actors from the literary field. This paper reviews the work of some traditional critics, analyzing the keys and the context of their theoretical discourse. [ABSTRACT FROM AUTHOR]