MULHERES, NATUREZA MAIS-QUE-HUMANA E MOVIMENTOS TRANSCORPÓREOS EM CONTOS DE FADAS DE MARINA COLASANTI.

In this paper, I argue that the female characters and the more-than-human nature in the fairy tales by Marina Colasanti suffer corelated violence, performed by male characters representative of the capital-patriarchal culture. However, the oppressed characters resist this hostility through metamorphosis, which can be read, metaphorically, as transcorporeal movements capable of resignifying the concept of woman and nature, both considered as passive and apt to exploration by the patriarchy. Regarding a possible essentialism in this interconnection, I argue that the author uses it in a strategic way. Thus, this paper is developed on the heels of feminist ecocriticism. [ABSTRACT FROM AUTHOR]