Hacia una relectura del imaginario revolucionario en la poesía latinoamericana entre los años sesenta y setenta: los casos de Heberto Padilla, Roque Dalton, Juana Bignozzi y Paco Urondo.

This paper proposes to broach a series of poems by Heberto Padilla, Roque Dalton, Juana Bignozzi, and Francisco Urondo whom, from a left ideology, set up dissonant voices regarding the official or partisan revolutionary discourse in force in the middle of the 20th century in Latin America. Serial reading and the crossings between dissimilar writers and from different countries of the region will allow us to rethink some cyclical readings and re-signify poetry as a space that exceeds the pamphlet and propaganda to configure a critical view of revolutionary processes and dispute the hegemony itself of the word revolution. [ABSTRACT FROM AUTHOR]