A OBRA LITERÁRIA COMO ARTEFATO E AÇÃO SEGUNDO ROMAN INGARDEN.

In the present article I attempt to understand Roman Ingarden's concept of literary work from the viewpoint of artifactuality and performativity, that is, understand the work of art as an artifactualization and virtualization of reality through intentionality, which, in turn, configures sense/meaning as a mode of action or as an instruction for a performative act. To understand this, one must locate Ingarden's philosophy of art as distancing itself from a philosophical aesthetics, and in consonance, from the 60s onward, with Anglophone philosophy of art, above all its concerns with ontology and contextuality. [ABSTRACT FROM AUTHOR]