REPARATIVE SOCIAL MEDIA: RESONANCE AND CRITICAL COSMOPOLITANISM IN DIGITAL ART.

The article focuses on the project "Minneapolis and St. Paul" that exemplifies a genre of new media art that the author calls reparative social media because it uses the tools of social media in order to make a complex political intervention. Topics discussed include political new media art projects, "September 12: A Toy World and "They Rule," which both exemplify the paranoid perspective.