試論陳澧之詞學觀：以新見抄本為中心$.

The prestige of Chen Li (1810-1882) is based mostly upon his study of Confucian classics and phonetics, but his works of ci were also highly valued by scholars in the late Qing. In recent years, a large number of materials, such as the Collected Writings o f Chen Li and Manuscripts o f Qing Literati were published. Nevertheless, due to the lack of a complete posthumous collection, few people have focused on his works in literary criticism. These newly found manuscripts have been made public for the first time; they include the Juemiao haoci jian housed in the National University of Singapore, the Baishi daoren sizhong in The University of Hong Kong and the University of Macau. Especially his comments on Juemiao haoci jian are an excellent corpus for a full analysis of Chen Li9s literary criticism and his poetic achievements. First, this paper investigates when and under what kind of circumstances Chen Li made these comments. Then it analyses the reason Chen Li chose the Zhexi school as his model of ci, considering the two aspects of the cultural transplantation of Jiangnan and his social relationship with ci society. At last, it discusses Chen Li9s concept of ci and his comments on various poets. Chen Li9s theory of ci is apparently influenced by Zhang Yan, and shows a preference towards Jiang Kui, even though Xin Qiji's and Shi Dazu9s influence can be observed in early days; while his attitude toward Zhang Yan and Xin Qiji changed afterwards. This article is based on Chen Li's comments in the manuscripts, and some other related prefaces and postscripts, to reexamine his theory of ci. Chen Li is considered as an epitome of an immigrant from Jiangnan. With the aid of newly found manuscripts, it is hoped that a comprehensive investigation of Chen Li can be achieved in both aspects of biography and literature. In addition, it also benefits us to realize the development and spread of the Zhexi school in Guangdong during the late Qing dynasty. [ABSTRACT FROM AUTHOR]