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Container Aesthetics: The Infrastructural Politics of Shunt's The Boy Who Climbed Out of His Face.
- Source :
-
Theatre Journal . Mar2016, Vol. 68 Issue 1, p57-77. 21p. - Publication Year :
- 2016
-
Abstract
- An essay is presented on the use of container aesthetics in the show "The Boy Who Climbed Out of His Face," produced by theatre company Shunt. Topics include the political potential and use of shipping containers as performance space, infrastructural aesthetics, and cognitive mapping. It also explores capitalism.
- Subjects :
- *SHIPPING containers
*AESTHETICS
*COGNITIVE maps (Psychology)
*CAPITALISM
Subjects
Details
- Language :
- English
- ISSN :
- 01922882
- Volume :
- 68
- Issue :
- 1
- Database :
- Academic Search Index
- Journal :
- Theatre Journal
- Publication Type :
- Academic Journal
- Accession number :
- 114585102
- Full Text :
- https://doi.org/10.1353/tj.2016.0012