Ideological Media: Cinema and the State in Maoist China and Nazi Germany.

This interdisciplinary paper examines important similarities and differences in the way that Maoist China and Nazi Germany used political propaganda in their national feature-film industries. The first of part of this paper examines the film industry in the People's Republic of China during the Great Proletarian Cultural Revolution from 1966 to 1976. The Chinese communist regime used the power of film to perpetuate communist themes and to educate the masses about the heroic nature of the Chinese revolutionaries and Marxism. Mao believed through popular film the Chinese Communist Party could educate, entertain, and indoctrinate the Chinese population and could ferret out capitalist and bourgeois elements which he believed were infiltrating Chinese society. The second case study examines how Kolberg (1945), the very last feature film released in Nazi Germany, communicates key elements of Nazi ideology: the Leadership Principle, the celebration of Blood and Soil, and the call for total war, especially as expressed by Reich Minister of Propaganda Joseph Goebbels in his 1943 "Total War Address." Kolberg demonstrate both the power of Nazi political propaganda and its limitations as a political tool. [ABSTRACT FROM AUTHOR]