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The article "Reconciling the Deprivation Account with the Final Badness of Death" from the Journal of Value Inquiry explores the philosophical question of whether death can be bad for those who die. The deprivation account posits that death can be bad because it deprives individuals of intrinsically good things they would have experienced. The authors argue that death can be bad for its own sake due to the deprivation of intrinsic goods, suggesting that death has extrinsic but final value. The article delves into the distinctions between intrinsic and extrinsic value, as well as final and instrumental value, to provide a nuanced understanding of the value of death. [Extracted from the article]

This paper/visual art/puppet show is about the more-than-human entities who help me include my whole self in my teaching and other research. It is about how generative it is to be our whole, sacred, profane, glorious selves. This art reminds us of the importance of dreaming beyond what we have been told is possible. It demonstrates how irreverent, gleeful, binary-challenging art makes oppression more visible, so that we can challenge it. This work is about interrupting hegemony/the status quo/the idea that some of us are ‘normal’ and the rest should be pecked to death. It is about resistance strategies for poking fun at power, especially our own (so we don’t become someone who attacks difference). The puppet collaboration aspect came from shared frustration with the Non-Profit Industrial Complex. This collaboration is part of our ongoing, decades-long experimentation. This paper includes art that I shared as a participant in dichotomy-challenging research, which uplifted the voices of Mad social workers. This art makes fun of my profession of social work. I was encouraged to have space to express my feelings, without being constrained by mere words. I invite you to share the dream of being our whole selves, beyond and within the confines of universities, professions, classrooms, societies and research. By continuing to play in unsafe circumstances, I am keeping myself, connection, dreaming beyond binary, and art as resistance. What are you fighting for? How are you making fun of yourself? [ABSTRACT FROM AUTHOR]

Background: In recent years, studies have found small-to-medium positive effects of physical activity on academic achievement. Already acute bouts of exercise appear to improve certain cognitive functions. Spatial abilities are one aspect of cognition that is encountered frequently in daily life and that is closely related to success in science, technology, engineering, and mathematics (STEM)-subjects. However, little is known about the effects of an acute exercise session on spatial abilities. The aim of this study was therefore to evaluate the effect of a single session of coordinative motor training (CMT) on spatial ability performances in healthy children. Methods: Forty-nine children were assigned to either a single session of CMT (i.e., obstacle course with motor coordinative and spatial elements) (n = 25, 12 females, mean age: 10.7 ± 0.6 years) or a resting control group (n = 24, 12 females, mean age ± SD: 11.4 ± 0.5 years). Spatial abilities were evaluated in both groups using the Paper Folding Test (PFT), Mental Rotation Test (MRT), Water Level Task (WLT), Corsi Block Test (CBT), and Numbered Cones Run (NCR). Results: A statistical main effect for Test was observed for the majority of outcomes (i.e., all but the MRT). Test × Group interactions did not reach the level of significance. Conclusion: The results indicate that a single session of CMT does not improve spatial ability performances of healthy children. Future research should evaluate whether repeated longer-term interventions might be more suitable to generate significant improvements in spatial abilities. [ABSTRACT FROM AUTHOR]

Excellent traditional culture is the root and soul of a nation, which is the carrier of historical precipitation and continuous development. In this aspect, Hubei folk art of carved paper-cutting has important cultural value and historical significance in the composition of Chinese traditional culture, which is a national intangible cultural heritage under key protection and urgently needs to be carried forward. This paper carried out an empirical study using the survey and comparative analysis methods on the feature extraction for Hubei folk art of carved paper-cutting. Through investigation and comparative analysis of vast artworks of Hubei carved paper-cutting, the classics are selected as the representative to extract the regional characteristics, the artistic values, and the composition and modelling methods. Results indicate that the common features exist on the artistic values in beautification of life and education, the composition principles of central-based, symmetry, balanced or conformal, and the modelling techniques using Yin and Yang carving, unobstructive perspective, distortion and exaggeration. However, the regional features in cultural expression, folklore communication, modelling skills are apparent and strong interlinked with the regional historical development in social activities, labor productivity and surrounding environment. This study provides a multi-dimensional perspective for the modern inheritance and development of traditional Hubei artworks of carved paper-cutting with specified characteristics. [ABSTRACT FROM AUTHOR]

The use of the arts in social work is creating space to reimagine effective communication, meaningful relationships and social change. Peripheral to this growing body of knowledge is jewellery design and making, a lacuna that this paper addresses within the context of recovery journeys. The paper presents art as an activity which can lead to tangible outputs, understood as ‘boundary objects’ and as an embodied aesthetic and sensory experience, for building dialogical relationships. Using the concept of ‘boundary objects’ is a new, yet achievable ambition for social work. Insights are presented from a small qualitative study on the use of jewellery making for assisting women, who have experienced trauma, to develop a positive self-identity and confidence. Jewellery making is introduced as a method for reframing trauma narratives into tangible objects. Part of the women’s embodied experiences are situated in the jewellery, an object of adornment external to them, rather than remaining trapped inside their body. For social workers, identifying objects (a piece of jewellery, a photograph, or any range of items) that symbolises or contains meaning for service users, can unlock a conversation that can lead to a deeper understanding of the person, their past, present and future ambitions. [ABSTRACT FROM AUTHOR]

Origami, the art of paper folding, has long fascinated researchers and designers in its potential to replicate and tap the complexity of nature. In this paper, we pursue the crossing of origami engineering structures and biology, the realm of biologically-inspired origami structures categorized by the two biggest taxonomy kingdoms and DNA origami. Given the diversity of life forms that Earth comprises, we pursue an analysis of biomimetic designs that resemble intricate patterns and functionalities occurring in nature. Our research begins by setting out a taxonomic framework for the classification of origami structures based on biologically important kingdoms. From each of these, we explore the engineering structures inspired by morphological features, behaviors, and ecological adaptations of organisms. We also discuss implications in realms such as sustainability, biomaterials development, and bioinspired robotics. Thus, by parlaying the principles found in nature's design playbook through the art of folding, biologically inspired origami becomes fertile ground for interdisciplinary collaboration and creativity. Through this approach, we aim to inspire readers, researchers, and designers to embark on a journey of discovery in which the boundaries between art, science, and nature are blurred, providing a foundation for innovation to thrive. [ABSTRACT FROM AUTHOR]

With growing interest in the role and integration of Artificial Intelligence (AI) and AI pedagogies in transformative art education this paper voices the pedagogic reflections of three art educators in Singapore who have engaged AI in their art provision. It discusses and exemplifies the advantages (intelligent), like interdisciplinary opportunity, enhanced student engagement and increased connectionism, and limitations (artificial), like ethical and moral dilemmas and positioning, of AI integration in three art education settings showcasing how educators and learners engage. Model of pedagogic reflection is used to reveal how the educators provided transformative learning with AI, whilst showing the influence of personal art interests, technique modelling and professional reflections on teaching and making involving AI. Paper contributions include insights into and examples of AI practices and pedagogies (like AI literacy and prompt engineering), that are and could be used in art education, reflections on their successes and limits and commentary on the position of AI integration in the circular economy of art education. The paper is positioned to mobilize educator and student voice as an influential driver in the transformation of art education given ongoing developments in digital education futures. [ABSTRACT FROM AUTHOR]

Copyright of China Pulp & Paper is the property of China Pulp & Paper Magazines Publisher and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Origami, the art of paper folding, has emerged as a versatile technique for crafting intricate 3D structures from 2D sheets. Combined with the magnetic actuation, origami paper becomes the building blocks for cost‐effective, wirelessly controllable magnetic robots. Herein, a biodegradable magnetic paper with excellent formability and recyclability is developed, facilitating its convenient utilization and disposal. The programable magnetic paper, fabricated with specific magnetization and crease patterns, enables the transformation of 2D sheets into predetermined 3D structures. Leveraging the lightweight and pliable nature of paper‐based materials, exceptional control of origami robots with fast response is demonstrated, enabling a wide range of locomotion. Furthermore, the paper‐based approach enables the incorporation of electronic functionality into magnetic actuators. By introducing conductive nanoparticles into magnetic paper, an electrically conductive substance is created. Constructing electronic circuits and integrating electronic components onto the paper‐based printed circuit board platform enables the repairing of broken circuits inside complicated equipment and optical sensing of surrounding environments in conjunction with locomotive robots. The origami robots have a huge potential to be facilitated in diverse fields with various functions, demonstrating complex locomotion, and integrating chemical, optical, thermal, and mechanical sensors for monitoring environmental conditions in hard‐to‐reach locations. The array of possibilities holds significant promise for the widespread application of these origami magnetic robots across a diverse spectrum of research fields in soft robotics. [ABSTRACT FROM AUTHOR]

In two experiments, we compared the effects of practice (real and imitative) with no practice on the observational learning of hand motor skills from animated videos. Experiment 1 investigated learning to play a series of piano clips of varying complexity. Results demonstrated improved learning efficiency with imitative practice compared to no practice. Experiment 2 featured a paper-folding task, and results indicated that real practice led to significantly greater learning than no practice. Furthermore, a significant interaction was found with gender and practice, where females learned best with both real and imitative practice, but males did not benefit from these interventions. However, males outperformed females in the no practice condition. Overall, we found benefits of practice versus no practice for both tasks. However, the most effective type of practice was dependent upon the task: imitative practice for piano playing, and real practice for paper folding. Task complexity and gender were also found to be moderating factors. [ABSTRACT FROM AUTHOR]

Copyright of Revista CES Psicologia is the property of Universidad CES and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study investigates the physical, mechanical, and structural characteristics of handmade paper samples derived from cellulose extracted from grass clippings using two distinct methods as follows: (1) alkali treatment and (2) alkali treatment followed by bleaching, coupled with the incorporation of barium sulfate as a mineral filler. Our investigation revealed that the handmade paper samples' densities, moisture contents, and thicknesses varied within the ranges of 0.436 to 0.549 g/cm3, 5.60 to 2.51%, and 0.41 to 0.50 mm, respectively. The tensile strength and folding endurance of the papers produced through alkali treatment with barium sulfate were notably superior to those produced from bleached pulp and barium sulfate. Our analysis indicates that several critical factors, including paper density, thickness, the crystallinity index, and the microfibrillar structure of cellulose, intricately influence the mechanical and strength properties of the samples. Using Fourier transform infrared spectroscopy (FT-IR) and X-ray diffraction (XRD) techniques, we identified characteristic cellulose bonds and examined cellulose's crystalline and amorphous phases. Additionally, the crystallinity index of the samples was determined using both the Segal and peak deconvolution methods. Scanning electron microscopy (SEM) micrographs revealed interconnected networks of cellulose fibers with varying thicknesses and lengths, along with incorporated mineral filler within the cellulose fiber structure. Variations in mineral particle retention were attributed to the presence or absence of cellulose microfibrils. These findings contribute to our understanding of the observed strength characteristics of the paper samples and underscore the potential applications of cellulose derived from grass clippings, especially when combined with barium sulfate as a mineral filler in paper production. [ABSTRACT FROM AUTHOR]

In order to obtain stable and reliable configuration transformation ability, reliability optimization design is regarded as an effective way to reduce the probability of kinematic function failure for the constrained metamorphic mechanism. Based on the structural composition principle of multi-configuration source metamorphic mechanism that can operate in an under-actuated state, the modularized calculation methods are established for the force analysis of augmented Assur groups including metamorphic kinematic joints. According to the equivalent resistance gradient model of metamorphic mechanisms, with considering the uncertainties in the link dimensions, masses, and compliance parameters et al., a probabilistic evaluation method for describing the configuration transformation ability of the constrained metamorphic mechanism is established. Based on reliability evaluation and reliability sensitivity analysis, a reliability optimization design method for improving the configuration transformation ability is proposed, and then the optimization design is carried out for tolerances of random variables focusing on those structural parameters with higher reliability sensitivity, so that the optimized results can satisfy the requirements of both reliability and economic simultaneously. Finally, the feasibility and effectiveness of the proposed method is verified by the illustration of a paper folding metamorphic mechanism. The research provides the foundation of reliability design of metamorphic mechanisms to obtain the high-probability repeated execution ability of configuration transformation, it also has theoretical and practical significance to promote the engineering application of metamorphic mechanisms. [ABSTRACT FROM AUTHOR]

This paper introduces Art_GenEvalGPT, a novel dataset of synthetic dialogues centered on art generated through ChatGPT. Unlike existing datasets focused on conventional art-related tasks, Art_GenEvalGPT delves into nuanced conversations about art, encompassing a wide variety of artworks, artists, and genres, and incorporating emotional interventions, integrating speakers' subjective opinions and different roles for the conversational agents (e.g., teacher-student, expert guide, anthropic behavior or handling toxic users). Generation and evaluation stages of GenEvalGPT platform are used to create the dataset, which includes 13,870 synthetic dialogues, covering 799 distinct artworks, 378 different artists, and 26 art styles. Automatic and manual assessment proof the high quality of the synthetic dialogues generated. For the profile recovery, promising lexical and semantic metrics for objective and factual attributes are offered. For subjective attributes, the evaluation for detecting emotions or subjectivity in the interventions achieves 92% of accuracy using LLM-self assessment metrics. [ABSTRACT FROM AUTHOR]

In order to study the cutting performance of the straight edge hob and reduce the cutting power consumption model of the straight edge hob, this paper takes the cutting power of the straight edge hob as the minimum goal, and establishes the mathematical model of the optimization design of the straight edge hob based on the composite optimization method. The mathematical model is solved by MATLAB software. At the same time,the mowing characteristics of a roller blade were studied by investigating the relationship between the hob and the coordination of variables such as rotational speed and roller diameter with the mowing parameters. The parameter analysis of straight edge hob before and after structural parameter optimization is generated, and a design method is proposed based on this. After defining the objective function and constraint conditions, the influence of structural parameters on the power consumption and efficiency of the hob was determined by optimising the complex method; this could significantly adjust the hob parameters to lower its power consumption. The energy consumption of the optimized design is reduced by 11.1 % compared with the original scheme, and the optimization effect is remarkable. The results show that the best working parameters of the hob are cutting speed of 1000 r/min, sliding cutting angle and grinding edge angle of 25~30°. Moreover, practical tests demonstrated the feasibility of using the proposed method to design the straight edge hob to improve mowing performance and hob stability. This study can provide parameter foundation and an optimization method for lowering chopping power consumption of the roller mower blade. [ABSTRACT FROM AUTHOR]

In this paper the characterization of the work of art as a map of intensity, as proposed by Gilles Deleuze in his essay What the children say (gathered in Critique et clinique), will be analyzed. Art’s cartographic aspect is linked to the concept of deterritorialization and the Body without Organs that the philosopher, along with Félix Guattarí, develops in Thousand Plateaus. Thus, the art-cartography represents the becoming-world of the subject that transits the Body-without-organs and the intensive differences that populate the desert of multiplicity. Each way travelled is descripted by an artistic map where the haecceities and the thresholds of flows that pierce through the disorganized bodies are portrayed. The map of intensity would be the cartographic representation of the haul travelled by a subject immersed in a hodologic space, being every line of the map a journey within an intensive space [ABSTRACT FROM AUTHOR]

Phenols are well-known noxious compounds, that are often found in various water sources. In this research, a new method was used to determine the total phenol by using microfluidic paper-based (µPAD), with a smartphone Sensor. It is portable, inexpensive, and environmentally friendly. The paper was prepared using filter paper by the cutting method. The reagent was dried on the paper. The color sensor of the smartphone device was used as the color intensity sensor of the samples through the images captured by the smartphone through software downloaded to the phone. The focus of the samples is measured from the RGB value of the images taken from the (iPhone 14) device, where each image represents a specific focus. The calibration curve for this method was in the range of M (0.00016–0.5), the correlation coefficient (R2) was equal to (0.9753), the limit of detection was in the amount of (0.000032) M, and the relative standard deviation (RSD%) for the concentration was (0.02) M, for which the examination was repeated (10) times and its value was (0 %), and the recovery value (Recovery%) was equal to (100 %). The method was successfully applied for the determination of total phenols in wastewater. [ABSTRACT FROM AUTHOR]

This paper takes point of departure in ongoing research into exclusionary design. Through design interventions such as leaning benches, steel spikes, water sprinklers, and barbed wire socially vulnerable and homeless people are kept from occupying and staying in public spaces in the cities around the world. Such exclusion by design contributes to "atmospheres of rejection" and affords new patterns of human mobility in the city. As the leaning (or otherwise modified) bench is one of the most predominant dark design interventions, this paper will single out the bench as one exemplary artefact to be explored. The bench carries both symbolic meaning, as well as it is a material artefact affording rest and occupancy. The design of benches and the positioning (or removal) of them are micro-installations that together with other urban furniture, makes-up the urban spaces as sites of congregation, exchange, and experience. The paper explores the bench on a background of three key terms: affordance, atmosphere, and material interpellation. The paper then turns to art practices in public spaces and illustrate how the socio-cultural significance of benches has been made visible by art interventions such as the "socially modified" benches by the artist Jeppe Hein. In the conclusion the paper draws out lines of enquiry for further research. [ABSTRACT FROM AUTHOR]

In Older to promote the innovation of knitted fabric structure and surface effect, the semi-three-dimensional geometric origami force was taken as the research object, jlid its internal structure was deduced into plane form by analyzing the foliation principle of semi-three-dimensional form and using planarization design thinking. With the help of Ml Plus paein design software of STOLL company and CMS 502 computer flat knitting machine, the one-side and two-side pseupro-semi-three-dimensional geonfetric origami fabric was realized. The machine parameters, yarn selection, structure design and plate making were discussed in detail, and the influence of different structure and yarn material on the smart effect of the fabric was evaluated. The results show that using the double-sided structure design and yarn with high elasticity and hardness can better shape the semi-three-dimensional geometric origami. In addition, the flexible use of needle arrangement, yarn material and parameter changes in the design can form different geometric origami patterns of knitted fabrics, which provides a useful reference for the innovative design of fabric structure. [ABSTRACT FROM AUTHOR]

Background: With overall academic achievements decreasing, policies tend to dedicate more curricular time to other subjects than physical education (PE). In light of increasingly sedentary lifestyles and rises in levels of overweight and obesity, this trend is detrimental within the global health context. Simultaneously, research on the connection between physical activity, cognitive functions, and academic achievement is on the rise. Cognitive functions like good spatial abilities have frequently been associated with higher achievements in STEM-subjects. This study is aimed to investigate the effects of a 6-week coordinative motor training with spatial elements on spatial ability performances in healthy children. Methods: Fifty-three children (mean age ± SD; 11.3 ± 0.6 years; 30 girls) participated in either a 6-week coordinative motor training (i.e., intervention group; 2x/week, 45 min/session) or attended regular PE class using the same volume (i.e., control group). Spatial abilities before and after the intervention period were evaluated in both groups using the Paper Folding Test (PFT), Mental Rotation Test (MRT), Water Level Task (WLT), Corsi Block Test (CBT), and Numbered Cones Run (NCR). Results: No significant differences between groups were observed at baseline. A main effect of test but not of group was found for all variables. For all but one test (i.e., PFT), a significant test × group interaction was detected. Post-hoc analyses revealed significant medium- to large-sized improvements from pre- to posttest in the intervention but not in the control group. Conclusion: The results indicate that a 6-week coordinative motor training with spatial elements is feasible in school-aged children and positively affects their spatial abilities. [ABSTRACT FROM AUTHOR]

The paper focuses on the cutting behavior of Glass Fiber Reinforced Polymer (GFRP) composites and GNP–GFRP composites that contain varying amounts of Graphene Nano Platelets (GNP). GFRP composites are increasingly being used in a variety of industrial applications due to their excellent mechanical properties, such as high strength, stiffness, and low weight. However, their machining and cutting behavior can be challenging due to the presence of the reinforcing fibers. Therefore, the study aims to investigate the machining behavior of GFRP composites and the effect of adding GNP on their cutting behavior. The effect of different parameters such as cutting speed, feed rate and reinforcement rate on cutting forces and delamination factor is investigated. In addition, the tensile strength and fatigue behavior of the composite materials with the best and worst delamination factors were also determined. Addition of up to 0.2 wt.% of GNP to GFRP composites resulted in an increase in cutting forces and delamination factor when drilling GFRP composites. While the cutting force and delamination factor decreased with the increase in cutting speed, the cutting force and delamination factor increased with the increase in the feed rate. Analysis of variance (ANOVA) was performed to determine the effects of drilling parameters and reinforcement ratio on cutting force and delamination factor according to full factorial experimental design. The most efficient factor on the cutting forces is found to be feed rate (84.97%), followed by the reinforced rate (6.48%) and cutting speed (6.13%). The most efficient factor on the delamination factor is determined to be feed rate for (44.49%), followed by the reinforced rate (29.20%) and cutting speed (21.73%). [ABSTRACT FROM AUTHOR]

This article reports on a study where we used a novel method to work with university students at a media technology and design programme to innovate on questions related to futuring in an educational context. Participating students used creative methods, paper crafting and design methods to "hack" the university campus in a post-COVID-19 scenario. This study situates hackathon as a design method that can be used to foster problem-solving and critical thinking skills in the context of current challenges. The students were asked to identify possible challenges in a post-COVID-19 return on campus and consider solutions to these challenges. They were tasked to shape their solutions in the form of a "sustainable artefact" meant to facilitate a smoother, safer, and welcoming return to campus life. In this study we reflect on how they engaged critically with the campus green and built infrastructure and how have they considered changes that would make their return to campus life a positive experience. Through the analysis of students' assignments, we demonstrate how this method allowed for space in finding one's own voice, how the design material supported students' work on future design, and how aspects of future design are helping students finding a way of acting upon current calls to re-work our cities. [ABSTRACT FROM AUTHOR]

The ancient art of paper folding, origami, has grown beyond its basic form into a muitidisciplinary topic with significant implications for materials and structural engineering. Origami is a multipurpose and influential tool in engineering and technology, and this research adds to the expanding body of knowledge by connecting theoretical understanding with practical applications. The proposed work is focused on mathematical foundations for origami geometry, state-of-the-art approaches that uses origami in material and structural engineering, origami design tools. applications of origami, and issues & challenges in the design. The comprehensive study begins by illuminating the mathematical basis of origami geometry. revealing the fundamental laws guiding folding patterns and their geometric effects. The research delves into the process of developing new materials with optimised mechanical, thermal, and optical properties by utilising designs inspired by origami. The work delves into the adaptability and recontigurability of origami structures. exploring their dynamic nature. This research explores the various tools that are essential for modern origami design. The study opens up new possibilities for innovation in the fields of biomedical devices. robotic actuators, and deployable structures by demonstrating how origami-inspired designs might improve their usefulness and efficiency. [ABSTRACT FROM AUTHOR]

Biofuels are the cheapest source of energy, and the continuous decline of traditional sources of energy with the increasing population leads to looking for alternatives to reduce the consumption of traditional sources of energy. Bioethanol production from lignocellulosic wastes and cellulosic wastes is not a new approach for fuel production but a cheap and accessible way for the production of fuel. Bacillus is one of the major species that can act as a source of diversified enzymes. In this study, it was emphasized on screening and isolation of a novel, characterization, and best catalytic action on both celluloses and proteins in the presence of different carbon and nitrogen sources. It was observed the effective catalytic breakdown of cellulose with the crude enzyme to glucose allowed fur for fermentation with Saccharomyces, ultimately leading to the generation of alcohol. The study aims to isolate the microbes that can produce cellulases and enzymes and could be used for biodegradation to produce ethanol in the reaction. The maximum enzyme activity was achieved at 3.112 UI with optimized pH and temperature, and the maximum conversion of sugars into alcohol was about 70% in the newspaper, cartons, colored paper, and disposable paper cups. An essential observation was the decolorization of the origami craft paper within 24 hours. The study was involved in enhancing the maximum Enzyme activity of cellulases from different cellulosic raw materials. Hence, it was achieved by JCB strain, optimization of pH, temperature, and acids for the biodegradation. The presence of peaks at 3200 and 2900 was a confirmation of ethanol bonds in the biodegradation reaction mixtures. [ABSTRACT FROM AUTHOR]

Origami robots, inspired by an ancient form of paper folding art, are capable of achieving high displacement in a lightweight and compact design that conventional robots can hardly attain. It, however, remains a challenge to drive origami robots with in situ active materials that imply minimal added mass and complexity and can be easily controlled to achieve multiple actuation modalities. Herein, inspired by the Twisted Tower origami structure, dielectrophoretic liquid zipping actuation concept is employed to develop a modular architecture, capable of achieving complicated motions with multiple degrees of freedom (DoF). The experimental results show a maximum of 3.9 degrees tilting per layer toward any desired direction, a 56.1% contraction of the original length, and 5.4 degrees twisting per layer. Each layer can generate a maximum contractile force of 1.03 N with a maximum 64.7% power efficiency and 2.775 W kg−1 power‐to‐weight ratio. A modified heterochiral arrangement of this modular actuator is proposed to enhance controllability across various movement modes. Its use in robotic‐wrist‐like actuation has been demonstrated, highlighting its significant potential for integration into soft robotic multi‐DoF structures, such as continuum arms. [ABSTRACT FROM AUTHOR]

Copyright of Museologia e Patrimônio is the property of Museologia e Patrimonio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper approaches the role of Origami Art role in teaching Descriptive Geometry to students, future builders. Using the Art of Paper Folding in the application classes of Descriptive Geometry, we demonstrate that the acquiring of knowledge and skills in educational practice is complemented by the development of creativity, imagination, Aesthetics and team spirit. Origami turned into a source of inspiration for first-year students majoring in Civil, Industrial and Agricultural Construction to build a demountable assembly made of modular origami elements. The element is a modular triangle, made from a rectangle with a side ratio of 1:√2 known as the "Harmony Gate". The construction is original and executed on several levels, from white and colored A4 paper, whose density equals 80 g/m2. The number of origami elements used is calculated by a mathematical formula. [ABSTRACT FROM AUTHOR]

Chinese paper-cutting, as an ancient folk art, is facing difficulties in preserving and passing down its traditions due to a lack of skilled paper-cut artists. In contrast to other image generation tasks, paper-cut images not only necessitate symmetry and exaggeration but also demand a certain level of resemblance to human facial features. To address these issues, this paper proposes a dual-branch generative adversarial network model for automatically generating paper-cut images, referred to as CutGAN. Specifically, we first construct a paper-cut dataset consisting of 891 pairs of facial images and handcrafted paper-cut images to train and evaluate CutGAN. Next, during the pre-training phase, we utilize gender and eyeglasses recognition tasks to train the fixed encoder. In the fine-tuning phase, we design a flexible encoder based on the modified U-net structure without skip connections. Furthermore, we introduce an average face loss to augment the diversity and improve the quality of the generated paper-cut images. We conducted extensive qualitative and quantitative experiments, as well as ablation experiments, comparing CutGAN with state-of-the-art baseline models on the test set. The experimental results indicate that CutGAN outperforms other image translation models by generating paper-cut images that more accurately capture the essence of Chinese paper-cut art and closely resemble actual facial images. [ABSTRACT FROM AUTHOR]

Paper umbrellas are one of the crafts included in the intangible cultural heritage of Malang, East Java. Currently, it is known that there is only one group of craftsmen who still produce this paper umbrella craft. Although not many of them, this paper umbrella craft still exists among people who like traditional handicrafts. This is evident from how often paper umbrella crafts appear at craft exhibitions in cities in Indonesia. Consequently, there is a pressing need for in-depth research on paper umbrella craftsmanship in Malang City. A valuable avenue for exploration is the examination of non-verbal communication aspects inherent in paper umbrella craftsmanship. This study aimed to determine the non-verbal communication aspects contained in paper umbrella crafts. The research employs a descriptive qualitative approach, focusing on analyzing non-verbal communication aspects. Data was collected using unstructured interview methods, documentation, and field surveys. The collected data was reduced for analysis using nonverbal communication theory. The study findings are presented descriptively, detailing the observed non-verbal communication aspects. The findings reveal three distinct categories of non-verbal communication aspects in paper umbrella craftsmanship: fixed features, semi-fixed features, and non-fixed features. Fixed features include shapes depicted on the umbrella. Semi fixed feature is a choice of material used to make paper umbrellas, colors, and motifs. The materials used are bamboo and paper. The colors of the umbrellas are red and green. The motif drawn on the umbrella is a floral motif. Flowers are present because they are the favorite shapes of the craftsmen who make umbrellas. Non-fixed features encompass the entire process of crafting paper umbrellas, from material preparation to final finishing touches. [ABSTRACT FROM AUTHOR]