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1. Cold War, the Chinese State Photo Agency, and the Socialist Network of Affective News Photo.

2. THE MARCH OF TIME: NEWS DOCUMENTARIES AND THE DRAMATURGY OF HISTORY.

Catalog

Books, media, physical & digital resources

3. SOSYAL MEDYADA SAVAŞIN İZLERİNİN SUNUMU: SAVAŞ PORNOGRAFİSİ.

4. Locating yourself in the historical record: challenges of provenance and metadata schemas in the library of congress's digital materials.

5. Damien Parer: 'The Gamest Man Alive'

7. AN-MY LÊ.

8. Social Media and Conflict: A Visual Analysis of War and Peace Frames in Pakistan.

9. Producción y difusión de la investigación de colecciones gráficas. El caso de las postales de guerra de la colección Kieffer-Marchand del AHRA.

10. The photography of José Gómez de la Carrera and the construction of the territorial image of the early Republic of Cuba.

11. Warring Visions: Photography and Vietnam .

12. Fashioning the end of World War II : Lee Miller's War correspondence : an intersectional approach to the text and photographs in Lee Miller's war correspondence, September 1944 to September 1945

14. Representation of Kashmir’s Subjugation through War Photos: A Semiotic Analysis.

15. SHOW THAT WE EXIST: IRAQI WOMEN’S STORIES, RITA LEISTNER, AND HER SEEKING HUMAN(ITY) IN THE IMAGES OF CONFLICT.

16. Teaching Black Educational Philanthropy Through Photography, 1863-1920s.

17. 'Tankography' of the first battle of Bullecourt: archival sources as tools to locate battlefield sites of tank wrecks.

19. World Unseen.

22. The Crimean War, Sevastopol, and British Military Collecting Strategies in the Black Sea Region c.1829–1856.

23. Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore".

24. Not only Väterliteratur : The engagement of several media in talking about the Nazi past in Wolfgang Glück's Die kleine Figur meines Vaters (1980).

25. Examining the Tim Hetherington Collection Through Visually-Led Public Engagement Workshops.

26. Zoe SALDAÑA & Kate WINSLET.

27. Picturing the Western Front: Photography, Practices and Experiences in First World War France: by Beatriz Pichel, Manchester, Manchester University Press, 2021, 272 pp., £84.80 (hardcover), ISBN 9781526151902, £15.39 (softcover), ISBN...

28. When War Comes Home.

29. War Through the Looking Glass or When Salt Looks like Sugar.

30. Testigos del conflicto. La Guerra Civil española en el fondo fotográfico de la Agencia Piortiz (1936-1939).

31. Reflexões sobre a imagem jornalística como conhecimento mediado pelo efeito de sentido de verdade.

33. The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12).

34. Afterword to the Special Issue on Tim Hetherington.

35. La voz de mi conciencia: The Life, Times, and Talents of Luis S. Martínez.

36. Empathy for the 'Other': Neglected Finnish Ethnographic War Photography from Occupied Soviet Territory.

37. AN EXCLUSIVE INTERVIEW WITH NICK UT.

38. RETRACING WORLD WAR I: How photographer Attila Szalay-Berzeviczy revisited the scenes of a truly global war

39. The Importance and Consequences of War Photography

40. High Plains History.

41. Photography as Testimony: Insecurities, "Bareness" of Life, and Resilience during the War in Ukraine.

42. Polaroidisation.

43. El rostro de la guerra. Las mujeres en las fotografías de la prensa internacional durante la invasión de Ucrania.

44. Messiness in photography, war and transitions to peace: Revisiting Bosnia: Uncertain Paths to Peace.

45. Between iconic image and (artificial) ruins: Shanghai Sihang Warehouse and World War II memory in China.

47. The Art of Being Lee Miller.

48. Catherine Leroy Parachutes into Danger.

49. Franz Schultheis / Stephan Egger / Charlotte Hüser, Habitat und Habitus: Pierre Bourdieus visuelle Soziologie. Wiesbaden: Springer VS 2023, 275 S., eBook, 74,99 €.

50. Conflicting Images : Histories of War Photography in the News