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Sustainable mobility has become a catch-all term to describe forms, modes, policies and practices of mobility that are thought to have a lower environmental footprint and/or fewer social exclusions than the contemporary mobility system which is reliant on fossil fuels and private ownership. As a result, its main application has been in urban mobility contexts, often focused on everyday commuting journeys. In this paper we re-visit sustainable mobilities through the lens of tourism sustainabilities, a concept that opens space for multiple, contingent operations of sustainability for tourism mobilities. We draw empirically from qualitative interviews with 26 residents from Oslo (Norway) undertaken in 2020 to answer two questions: (1) How are tourism sustainabilities imagined and enacted by residents of the Oslo region, Norway, and (2) What (re)imaginings of tourism sustainabilities are made possible? Attentive to the sociomaterial nature of tourism sustainabilities and drawing from critical sustainabilities scholarship, we present three enactments of tourism mobilities: Forming sustainabilities; Fragmenting sustainabilities; Fracturing sustainabilities, and three (re)imaginings: Stripped Back; Having a Go; Stuck in the Mud. The social geographies of tourism mobilities are made visible, and these open space for an expansive reading of sustainable mobilities which may enable deeper understandings of the possibilities for alternative forms of mobility in a climate constrained world. [ABSTRACT FROM AUTHOR]

This article explores the potential of Okanagan Valley as a place of distinctive wines and the tourism experiences that match these wines. By "distinctive" I mean wines with a sense of place woven into their production and marketing—wines that are called "terroir‐driven" in the wine world. My focus is not on wine production, but on place‐making and regional planning. The article is informed by geographical and sociological work on wine, but it accentuates the empirical over the conceptual to explore the long‐term potential of the Okanagan as a wine destination. Methodologically, the paper synthesizes academic and trade sources with primary fieldwork material, including participant observation in the region and interviews with wine professionals in British Columbia. It contributes to the efforts to forge an authentic narrative for the Okanagan as a place of wine. Key messages: Okanagan Valley has high potential for place‐driven wines and the tourism experiences that match these wines.This potential can be cultivated by linking wine to place through collective narratives and regulatory measures.The experience of Europe's premium wine regions can be used to craft such narratives and measures in the Okanagan. [ABSTRACT FROM AUTHOR]

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Copyright of Journal of Science & Knowledge Horizons is the property of Journal of Science & Knowledge Horizons and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Ce travail de recherche part du constat de l’impensé de la santé des populations, ici des travailleurs, dans les planifications touristiques (Fleuret & Jouault, 2018). Cet article propose d’appréhender l’espace vécu par les travailleurs de la restauration en contexte touristique à travers leurs déterminants de santé, à partir d’une étude de cas réalisée au sein de l’espace touristique insulaire de Majorque, aux Baléares, en Espagne.Quelles sont les caractéristiques socio-spatiales de l’espace touristique capables d’influencer la santé des travailleurs du tourisme ? Pour répondre à cette problématique, les travailleurs de la restauration sont utilisés comme prisme des travailleurs du tourisme. Des éléments de réponses à cette question sont proposés en s’appuyant sur un travail de terrain de sept mois sur l’île de Majorque, en Espagne, qui a donné lieu à une étude qualitative basée sur les techniques de l’observation directe (Arborio & Fournier, 2021) et la conduite d’entretiens semi-directifs. Cette étude qualitative s’appuie sur un cadre analytique construit à partir de la liste des déterminants de la santé utilisés dans leur dimension socio-spatiale.

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Copyright of Water & Landscape (WAL) / Agua & Territorio (AYT) is the property of Editorial de la Universidad de Jaen and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Les littoraux sont des zones de concentration de différentes activités socio-économiques qui sont parfois difficiles à concilier. Le tourisme balnéaire par exemple, exige une plage de qualité et des eaux de baignade propres, ce qui peut entrer en conflit avec d'autres activités comme la pêche et la transformation des produits marins. Cet article vise à examiner comment l'occupation désordonnée des zones côtières par différentes activités socio-économiques impacte le tourisme côtier, et à proposer des solutions pour une gestion plus rationnelle de ces espaces. L’étude s’est focalisée sur le littoral de l’axe Abéné-Kafountine, au sud Sénégal. Une première évaluation de l'occupation des zones côtières entre Abéné et Kafountine a été effectuée pour analyser les conflits d'utilisation et leurs effets sur le tourisme. La méthodologie combine la cartographie des activités et une approche qualitative basée sur des entretiens et des observations. Les résultats de la cartographie de ces installations montrent une occupation anarchique du littoral, avec une centralisation des quais de pêche à Kafountine et à Abéné et la répartition de part et d’autre des aménagements touristiques. Cette situation combinée à un problème d’aménagement entraîne l’insalubrité de la plage. Les résultats des enquêtes qualitatives permettent de constater la frustration des hôteliers et des touristes qui déplorent la prolifération des ordures et la fumée sur la plage, ce qui pénalise le secteur touristique. Des pistes sont enfin explorées pour envisager une gestion durable et concertée de ces territoires.

Cet article tente de faire l’historique des institutions muséales et patrimonial au Cameroun. Les projets de musée au Cameroun remontent pendant la période coloniale, plus précisément pendant la présence allemande. C’est pendant cette période que naît le tout premier projet de création d’un musée. Cependant, cette ancienneté muséologique que connait le Cameroun ne lui a pas permis d’avoir une culture muséale. On constate en 2023 que les musées sont encore marginalisés et négligés, incapables de répondre aux attentes du public, de conquérir et de fidéliser les camerounais et les étrangers. A cet égard on notera que le Cameroun est un pays où on rencontre presque tout ce qu’on aimerait trouver en Afrique à savoir, l’originalité historique, la diversité géographique, ethnique, linguistique et religieuse, la richesse artistique, culturelle et artisanale ; la beauté des sites touristiques et des paysages etc. En dépit de ce tableau très fascinant et attrayant, le poids des interventions publiques sur le développement touristique et culturel reste encore très modeste. Ceci dit, quel musée pour le Cameroun ? Sous quel prisme le musée permettra-t-il l’attractivité du peuple camerounais ? L’objectif principal de cette étude consiste à expliquer pourquoi les éléments du patrimoine matériel et immatériel camerounais ne permettent pas une mobilisation touristique des populations.

Alors que le tourisme et le transport aérien se relèvent de l’impact de la Covid-19 et des problèmes structurels qu’elle a mis en lumière (conditions de travail, etc.), cela paraît être le moment de faire un bilan et une synthèse combinant les thématiques suivantes : les scénarios d’émissions de gaz à effet de serre du tourisme pour lesquels des travaux récents ont amélioré sensiblement la réflexion ; les émissions de l’aérien, dont 60 % selon le dernier rapport du GIEC sont hors CO2. On y voit maintenant plus clair sur les possibilités de diminuer ces dernières de façon significative ; les carburants et les motorisations alternatives pour l’aviation, sujets complexes et controversés sur lesquels la science a bien avancé ces dernières années. Les développements dans ces trois domaines offriraient-ils de nouvelles perspectives pour penser et atteindre une décarbonation du tourisme aérien ? La réponse est qu’elles peuvent apporter une contribution partielle, sans pour autant rendre caduques les réflexions antérieures sur les substitutions entre types de tourisme (proximité/longue distance), modes de transport (transport terrestre/aérien), etc. Dans le prolongement de cette analyse, l’article s’intéresse au positionnement des acteurs et aux types d’arguments qu’ils mobilisent. Le texte conclut sur la nécessité des choix stratégiques à effectuer pour éviter un gaspillage de moyens.

La recherche proposée s’inscrit dans la logique d’aborder la relation santé et tourisme en contexte africain dans le cas de la station balnéaire de Cap Skirring au Sénégal. Elle tente d’y approcher les enjeux de ce lien à travers l’aménagement sanitaire, les difficultés et les stratégies d’adaptation dans le recours aux soins aussi bien pour la population locale que pour le touriste. L’objectif de cette étude est ainsi de faire une lecture sur la place accordée à la santé dans l’aménagement du territoire en général au Cap Skirring. La méthode qualitative est utilisée dans le recueil de données avec des entretiens destinés aux acteurs dont les hôteliers, les touristes, les agences de voyage, l’agence du tourisme et la population locale pour traduire les perceptions et vécus sur la question. Les constats sortis de cette étude sont de plusieurs ordre. Premièrement, l’offre de soins locale est faible au regard des besoins exprimés par la population locale et les touristes. Ainsi, la santé, objet éminemment politique, est un « impensé » pour la population locale et le touriste. Deuxièmement, les possibilités de recours aux soins, au-delà des soins primaires, sont conditionnées par les évacuations vers Oussouye, Ziguinchor, Dakar en cas d’urgence dans des conditions difficiles (risques). Troisièmement, en même temps, des stratégies d’adaptation sont développées dans le cadre d’un « tourisme solidaire » qui atténuent les manquements de l’offre de soins (engagement humanitaire). Finalement, la situation évoquée constitue un frein au développement touristique au point de compromettre les rares initiatives d’envergure mises en place par le Sénégal pour promouvoir la destination.

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In light of the Covid-19 pandemic that has swept the world since the beginning of December 2019, it has become clear that the tourism sector is the most affected sector compared to other sectors. This pandemic has caused the closure of most, if not all, tourist institutions in Morocco as a result of the implementation of the precautionary measures taken by the state to repel this epidemic. The Moroccan state has worked to overcome the repercussions of this pandemic and the negative impact it has had on various fields related to tourism activity, and in order to advance the tourism situation after the pandemic and support tourism institutions, focus has been placed on reviving the tourism sector based on communication and bringing together offers using all available media means, especially technological and digital, and one of the most basic pillars on which tourism marketing depends is distinctive and effective tourism media. [ABSTRACT FROM AUTHOR]

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Le tourisme littéraire est une branche du tourisme culturel et propose différentes ramifications : parcs littéraires, musées, maisons d’auteurs, itinéraires littéraires, cafés littéraires entre autres. La littérature appartient au patrimoine immatériel et participe souvent de l’identité culturelle et nationale d’un pays. Nous nous proposons d’étudier un cas particulier de patrimonialisation et de mise en tourisme d’un écrivain et de son œuvre, intimement liés à un territoire. Carlo Lorenzini, l’auteur des Avventure di Pinocchio a en effet pris comme nom de plume Collodi qui est le village natal de sa mère, il a donc délibérément ancré son identité d’écrivain dans un territoire précis lié à une culture et un patrimoine spécifique. Nous verrons comment le Parco Pinocchio, ouvert en 1956, et la Fondazione Collodi, née en 1962, se sont emparés de l’œuvre littéraire de Collodi en développant une offre touristique originale et une patrimonialisation dynamique qui réussit le tour de force de maintenir la spécificité toscane de l’écrivain et de son pantin ainsi que de franchir les frontières italiennes pour s’ouvrir à l’Europe, proposant par là-même une nouvelle vision de la notion de patrimoine.

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As natural resource extraction economies continue to restructure, contributing to rural population and service decline, the potential and limits for rural tourism development as an element of economic diversification have received increased attention. Community museums often already exist as a component for tourism attraction. Often, the museums are located in heritage or period buildings which add value and importance to their success. The key to their success is in ensuring they are offering the experience visitors desire. The results of the 2-year study of 18 museums, including a survey of 218 visitors and 15 museum directors are analyzed. In a two-stage survey, visitors were asked about their expectations prior to visiting and their levels of satisfaction after their visit. Visitors generally reported high expectations and satisfactions for seeing, learning, and reading about museum displays. Directors were surveyed about the issues related to their particular museum, including future prospects. The conclusions point to both hope and despair for museums in rural and small towns located beyond the urban fringe. [ABSTRACT FROM AUTHOR]

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As powerful Mongolian sacred landscape components, mountains bear witness of an intimate and long-standing relationship between the Mongolian people and its intangible cultural heritage. The senses of these places come from an affective bond as well as religious, symbolic, and emotional engagements with mountains. Since the 1990's, democratization and the independence of Mongolia paved the way for heritage processes of sacred mountains. Raised as national heritage, they integrated collective imaginaries of Mongolian sacred landscape. However, the experience of these places has been reinvented throughout popular practices like pilgrimage, tourism and other recreational activities. Bringing the interconnexions between the sacred, symbolic landscape and tourist practices to light, this article explores the plurality of the relationship to the sacred that manifests in the Mongolian geography nowadays. [ABSTRACT FROM AUTHOR]

Processes of gentrification can be seen in the historic center of Cartagena de Indias, which arise from the colonial city and the republican capital, suitable as a military fort, maritime port, railway station and cultural district. This led to the occupation of the peripheral areas and the displacement of the people who lived there to give way to walls, urban walkways, railway lines and motorized avenues. The objective of the text is to describe the processes of the urban transformation of the peripheral areas of Cartagena to consolidate the fort-city, adapted as a historic center and tourist district. To this end, the historical method is used of contrasting printed documental evidence with articles and studies on urban policies that allow the recognition of four periods of geodemographic changes. In conclusion, the current historic center has experienced the processes of the expansion of the dominant classes into the lands occupied by the popular sectors, combined with the construction of roads, the protection of walls and bulwarks, the urbanization of the nearby islands and beaches for touristic ends, as well as the sociocultural expulsion of the poorer classes from the popular sectors towards faraway places, invisible and distant from the tourists. [ABSTRACT FROM AUTHOR]

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Cette contribution interroge la mise en tourisme du Guizhou, en Chine du Sud, à travers le cas de trois villages de la minorité ethnique shui. La promotion de ces villages au rang de sites touristiques officiels suit un modèle d’aménagement standardisé, ayant pour double objectif le développement économique et la construction d’une identité nationale. Elle implique aussi des transformations souvent importantes du paysage quotidien des populations. Pris entre les actions développementalistes de l’État et les stratégies aménagistes locales, les paysages constituent un véritable enjeu : au final, à qui appartiennent les paysages de ces villages shui ? Après la présentation de trois situations contrastées, les représentations qu’ont les habitants des transformations de leur paysage sont analysées. Celles-ci révèlent l’évolution de leur regard et leur adhésion au modèle dans ses principes d’aménagement. Mais des tensions émergent, ce qui témoigne du faible pouvoir dont disposent les populations dans le processus économique et politique de développement touristique.

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La notion de patrimoine culturel est présentée dans cet article comme un élément de reconnaissance de la richesse et de la valorisation de lieux porteurs de mémoire et qui peuvent donc constituer un facteur de développement local dans certaines régions. En effet, le patrimoine culturel reflète l'identité d'un lieu, relie la population à son passé, garantit les identités locales et permet le développement économique et touristique. Notre article traite de la question du patrimoine culturel, de sa valorisation et de sa protection dans la région montagneuse et rurale des Aurès en Algérie. C'est une question qui reflète les préoccupations d'une certaine catégorie de la population locale et de nous-mêmes en matière de sauvegarde de cette richesse contre les formes de négligence. Car la région des Aurès est riche en potentialités culturelles et en villages historiques mais pauvre en actions du fait de l'absence totale d'une politique de promotion et de valorisation de son patrimoine culturel et naturel, ce qui l'a rendue mal connue et sous-développée touristiquement. - The notion of cultural heritage is presented in this article as an element of recognition of the richness and the valorisation of places that are bearers of memory and that can therefore constitute a factor of local development in certain regions. Indeed, cultural heritage reflects the identity of a place, connects the population to its past, guarantees local identities and allows economic and tourist development. Our article deals with the issue of cultural heritage, its enhancement and protection in the mountainous and rural region of the Aurès in Algeria. It is an issue that reflects the concerns of a certain category of the local population and of ourselves in terms of safeguarding this wealth against forms of neglect. For the Aurès region is rich in cultural potential and historical villages but poor in actions due to the total absence of a policy of promotion and enhancement of its cultural and natural heritage, which has made it poorly known and underdeveloped for tourism.

La poésie, trop contestée par son hermétisme et anéantie de plus en plus par la modernisation, évoque cependant, des images de beauté et de rêve. Cette immense richesse du langage poétique pas assez suffisamment exploitée dans le domaine de loisirs, et sans doute inépuisable, nous invite à explorer l’art poétique d’Alfred de Vigny très riche et capable de dégager des « menthes » du langage pouvant calmer des âmes brûlantes, et promouvoir le tourisme pour un développement économique. Notre texte d’analyse est La Maison du berger, un poème du recueil Les Destinées (1873) de Vigny. L’objectif de cette recherche est de créer un langage pour la publicité à travers la poésie. L’analyse sera soumise à La Rhétorique de l’Image de Roland Barthes. L’étude démontre le symbole de l’homme voyageur et ses voyages de loisir comme instrument purgatif de détox, ainsi qu’une activité définissant son essence, sa passion et ses loisirs. Elle révèle également le pouvoir captivant du langage poétique pour un rendement touristique.

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This article examines representations of polar cruise tourism in the Northwest Passage as climate change extends the geographic range of open waters and increases the number of ice-free days in the Canadian Arctic. It connects current cruise promotion to earlier exploration histories and investigates the paradoxes that arise in the drive to bear witness to climate change while accelerating its impacts through carbon-intensive travel. It also examines some of the ways that Franklin expedition tourism in particular is being used to reinforce claims of Canadian sovereignty over Arctic resources. Overall, the promotion of this kind of maritime tourism highlights many of the key fault lines between visitor expectations and geophysical and cultural realities in a changing North, raising doubts about whether expanded development of such tourism can succeed in creating climate change ambassadors. The article concludes that the potential for developing cross-cultural environmental justice solidarities depends in significant measure on the tourism industry's greater inclusion of Inuit perspectives that understand the Arctic not merely as a place to travel through, but as a homeland of earth, sea, and the shifting ice between. [ABSTRACT FROM AUTHOR]

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Copyright of Society & Leisure / Loisir & Société is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)