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The article examines the socio-cultural aspects of the Kyiv-Pechersk Lavra Library functioning in the 1770–80s. The focus is on acquiring the books as a purposeful way to form a collection of books that best demonstrated the monastery’s needs for books, interests and reading tastes of the fraternity. The author attempts to reconstruct the network of «book agents»: people who assisted in books acquisition; determine who was the initiator and who was the implementer of procurement; specify the needs in the printed books, as well as whether printed books completely displaced the manuscripts at the end of the 18th century.The author discovers the interest of the Kyiv-Pechersk Lavra in replenishing the book collection not only to meet the readers’ needs of the fraternity but also based on the understanding of the importance of a well-stocked library to confirm the status of the monastery. It has been established that the «book agents» were the Lavra attorneys in Moscow and St. Petersburg, who carried out various assignments of the monastery; former Lavra monks transferred to other dioceses; or persons loyal to Lavra, specifically involved for this purpose. There is interest in translated literature, periodicals, new publications, and activity in the purchase of printed materials, which generally signals changes in the reading practices of the monastic corporation. The analysis of the repertoire of purchased books confirmed the spread of the ideas of the Enlightenment and the growing demand for secular and educational books on science and nature. The Kyiv-Pechersk Lavra, while remaining quite traditional in the segment of theological literature, where Latin continued to dominate, demonstrated openness to new trends in book culture of the second half of the 18th century., У статті досліджуються соціокультурні аспекти функціонування бібліотеки Києво-Печерської лаври у 70–80-х рр. XVIII ст. Увагу зосереджено на закупівлі книжок як цілеспрямованому способі формування книгозбірні, який засвідчує потреби монастиря в книзі, зацікавлення та читацькі смаки братії. Авторка реконструює мережу «книжкових агентів» — осіб, за чиєї допомоги купувалися друки; визначає, хто був ініціатором, а хто реалізатором закупівель; показує, якими були потреби в друкованій книзі; розмірковує, чи друкована книга повністю витіснила рукописну наприкінці XVIII ст.Відзначено зацікавленість Києво-Печерської лаври в поповненні книгозбірні не лише для задоволення читацьких потреб братії, а й виходячи з розуміння важливості добре укомплектованої бібліотеки для підтвердження статусу обителі. Встановлено, що «книжковими агентами» виступали лаврські повірені в Москві та Санкт-Петербурзі, котрі виконували там доручення монастиря; колишні лаврські ченці, переведені в інші єпархії; спеціально для цього залучені особи, прихильні до Лаври. Зафіксовано інтерес до перекладної літератури, періодики й нових видань, а також активність у придбанні друкованої продукції, що загалом сигналізує про зміни в читацьких практиках чернечої корпорації. Аналіз репертуару придбаних книжок підтвердив вплив ідей Просвітництва, зростання попиту на світську та освітню книжку науково-природничої тематики. Києво-Печерська лавра, залишаючись доволі традиційною в сеґменті богословської літератури, де й далі домінувала латина, демонструє відкритість до нових тенденцій книжкової культури другої половини XVIII ст.

This study attempts to provide a socio-cultural historiography of television in Turkey that addresses how people experience television in everyday life, as a social and cultural tool, and how it is integrated into the social development process. Unlike media history studies in this field, the history of television in Turkey is examined in this study along with the process of social development, and the history of television is handled through everyday activities. In this setting, first-person accounts of watching television that were gathered from in-depth interviews with Turkish television viewers during the field study were combined with news and media texts from the era's newspapers and magazines that covered the start of television broadcasting. As a result of the study, a cultural-historical narrative about television in Turkey as a social experience emerged., Bu çalışmada Türkiye’de televizyonun sosyo-kültürel tarih anlatısı oluşturulmaya çalışılmaktadır. Çalışma kapsamında sosyal ve kültürel bir araç olan televizyonun eklemlendiği gündelik hayatta bireylerin bu aracı nasıl deneyimledikleri ve toplumsal gelişim sürecine televizyonun nasıl dâhil olduğuna dair bir anlatı kurulmuştur. Alanda var olan medya tarihi çalışmalarından farklı olarak bu çalışmada Türkiye’de televizyonun tarihi, toplumsal gelişim süreci ile birlikte düşünülmüş ve televizyonun tarihine gündelik hayat pratikleri üzerinden yaklaşılmıştır. Bu bağlamda Türkiye'de televizyonu deneyimleyen kişilerle derinlemesine görüşmelerin yapıldığı saha çalışmasında toplanan televizyona ilişkin kişisel hatıralar, dönemin gazete ve dergilerinde televizyon yayınlarının başlamasını konu eden haberler ve medya metinleri ile harmanlanarak kullanılmıştır. Çalışma sonucunda sosyal bir deneyim olarak Türkiye'de televizyonun kültürel tarih anlatısı oluşturulmuştur.

The article examines the socio-cultural aspects of the Kyiv-Pechersk Lavra Library functioning in the 1770–80s. The focus is on acquiring the books as a purposeful way to form a collection of books that best demonstrated the monastery’s needs for books, interests and reading tastes of the fraternity. The author attempts to reconstruct the network of "book agents": people who assisted in books acquisition; determine who was the initiator and who was the implementer of procurement; specify the needs in the printed books, as well as whether printed books completely displaced the manuscripts at the end of the 18th century. The author discovers the interest of the Kyiv-Pechersk Lavra in replenishing the book collection not only to meet the readers’ needs of the fraternity but also based on the understanding of the importance of a well-stocked library to confirm the status of the monastery. It has been established that the "book agents" were the Lavra attorneys in Moscow and St. Petersburg, who carried out various assignments of the monastery; former Lavra monks transferred to other dioceses; or persons loyal to Lavra, specifically involved for this purpose. There is interest in translated literature, periodicals, new publications, and activity in the purchase of printed materials, which generally signals changes in the reading practices of the monastic corporation. The analysis of the repertoire of purchased books confirmed the spread of the ideas of the Enlightenment and the growing demand for secular and educational books on science and nature. The Kyiv-Pechersk Lavra, while remaining quite traditional in the segment of theological literature, where Latin continued to dominate, demonstrated openness to new trends in book culture of the second half of the 18th century.

The article examines the socio-cultural aspects of the Kyiv-Pechersk Lavra Library functioning in the 1770–80s. The focus is on acquiring the books as a purposeful way to form a collection of books that best demonstrated the monastery’s needs for books, interests and reading tastes of the fraternity. The author attempts to reconstruct the network of "book agents": people who assisted in books acquisition; determine who was the initiator and who was the implementer of procurement; specify the needs in the printed books, as well as whether printed books completely displaced the manuscripts at the end of the 18th century. The author discovers the interest of the Kyiv-Pechersk Lavra in replenishing the book collection not only to meet the readers’ needs of the fraternity but also based on the understanding of the importance of a well-stocked library to confirm the status of the monastery. It has been established that the "book agents" were the Lavra attorneys in Moscow and St. Petersburg, who carried out various assignments of the monastery; former Lavra monks transferred to other dioceses; or persons loyal to Lavra, specifically involved for this purpose. There is interest in translated literature, periodicals, new publications, and activity in the purchase of printed materials, which generally signals changes in the reading practices of the monastic corporation. The analysis of the repertoire of purchased books confirmed the spread of the ideas of the Enlightenment and the growing demand for secular and educational books on science and nature. The Kyiv-Pechersk Lavra, while remaining quite traditional in the segment of theological literature, where Latin continued to dominate, demonstrated openness to new trends in book culture of the second half of the 18th century.

The article examines the socio-cultural aspects of the Kyiv-Pechersk Lavra Library functioning in the 1770–80s. The focus is on acquiring the books as a purposeful way to form a collection of books that best demonstrated the monastery’s needs for books, interests and reading tastes of the fraternity. The author attempts to reconstruct the network of "book agents": people who assisted in books acquisition; determine who was the initiator and who was the implementer of procurement; specify the needs in the printed books, as well as whether printed books completely displaced the manuscripts at the end of the 18th century. The author discovers the interest of the Kyiv-Pechersk Lavra in replenishing the book collection not only to meet the readers’ needs of the fraternity but also based on the understanding of the importance of a well-stocked library to confirm the status of the monastery. It has been established that the "book agents" were the Lavra attorneys in Moscow and St. Petersburg, who carried out various assignments of the monastery; former Lavra monks transferred to other dioceses; or persons loyal to Lavra, specifically involved for this purpose. There is interest in translated literature, periodicals, new publications, and activity in the purchase of printed materials, which generally signals changes in the reading practices of the monastic corporation. The analysis of the repertoire of purchased books confirmed the spread of the ideas of the Enlightenment and the growing demand for secular and educational books on science and nature. The Kyiv-Pechersk Lavra, while remaining quite traditional in the segment of theological literature, where Latin continued to dominate, demonstrated openness to new trends in book culture of the second half of the 18th century.

Thèse dirigée en co-direction par Vincent Fourniau (EHESS) et Maurice Aymard (EHESS), devant un jury composé de Nicholas Dew (McGill University, Canada), Edhem Eldem (Université du Bosphore, Turquie), Isabelle Landry-Deron (EHESS) et Pascale Rabault-Feuerhahn (CNRS). Résumé : Cette thèse porte sur l’émergence en Europe, au cours des xviie-xviiie siècles, d’un domaine d’étude qui prend comme objet le temps et l’espace turcs de l’époque pré-ottomane. Notre propos est de saisir le processus d’au...

Based on the analysis of a research interview with the playwright and theater director N. V. Kolyada, using the methodological approach “Oral History”, an attempt is made to reconstruct some aspects of the theatrical life of Sverdlovsk in the 1970s – 1980s. The main evaluative characteristics, which the respondent gives, are highlighted regarding the level of domestic theatrical art in the Soviet era, the issues of the relationship between the theater and the authorities, the problems of censorship and the “theater periphery”. It is concluded that, despite the general ambiguity of assessments, the Ural playwright highly appreciates the Soviet era in the history of the development of Sverdlovsk theatrical art. В статье на основе анализа исследовательского интервью с драматургом и театральным режиссером Н. В. Колядой при помощи методологического подхода «Oral History» произведена попытка реконструкции некоторых аспектов театральной жизни Свердловска 1970–80-х гг. Выделены основные оценочные характеристики, которые дает респондент, относительно уровня отечественного театрального искусства в советскую эпоху, вопросов взаимоотношений театра и власти, проблем цензуры и «театральной периферии». Сделаны выводы о том, что, несмотря на общую неоднозначность оценок, уральский драматург довольно высоко оценивает советскую эпоху в истории развития свердловского театрального искусства.

Russian Psychoanalysis: between marginality and assimilation (1904-1930) The present research is an attempt to write the initial pages of a study on the social and cultural history of psychoanalysis in Russia. While the swift spread in Russia of Freudian thought and methods is well known, what is little known are the causes of its rapid diffusion. The evolution of how Freud’s methods became diffused in Russia is examined against the background of the socio-economical processes that were changing Russian society between the XIX and XX century, and that were acting in synergy with the intense cultural life of the Silver Age. From this scenario, psychoanalysis emerges as an outcome and interpreter of the bourgeois culture, which has had started taking shaping during the time of the Big Reforms, and had been spreading among the intelligentsia. The evolution of Russian psychoanalysis is also seen as following the dialectic model of marginality/assimilation, which was applied by Zaretsky to European and American societies in order to see the limits of its application to Russian reality. The Freudian method, born at the beginning of the century as a marginal and elitist phenomenon in Czarist Russia, becomes the object of a process of assimilation on behalf of the state, after the October revolution, and which aims at using it in order to forge, “homo sovieticus”.

Araştırma, Rusya'dan Türkiye'ye göç eden bir ailenin sosyo-kültürel tarihine odaklanmıştır. Araştırmanın amacı ise Rusya ve Türkiye aksında gerçekleşen bu göç olayı ile ele alınan ailenin sosyo-kültürel tarihini ortaya koymaktır. Araştırmanın kuramları ise bireyi temel alan sembolik etkileşimcilik ve etnometodoloji olmuştur. Araştırmanın tarihsel arka planı, aile üyelerinin Rusya ve Türkiye'de bulunduğu dönemlerdeki tarihsel, sosyal ve kültürel bilgileri içermiştir. Alan araştırması dâhilinde beş aile üyesinin katılımıyla derinlemesine görüşmeler yapılmıştır. Veriler, içerik analizi tekniği ile analiz edilmiştir. Elde edilen bulgular aracılığıyla ailenin sosyo-kültürel tarihi hakkında detaylı bilgi sunan dokuz sosyo-kültürel özelliğe ve dört temaya ulaşılmıştır. Araştırma temalarının uzlaştığı genel sonuca göre aile üyeleri, göç sürecinde edindikleri deneyimleri ile önceden edindikleri bilgilerini değerlendirip bulundukları yerlere uygun olduğunu düşündükleri değerleri benimsemişlerdir. Aile üyelerinin farklı sosyo-kültürel yapılar karşısında geliştirdikleri davranış ve tutumlar üzerinde bireysel anlamlandırma, yorumlama ve etkileşim süreçleri etkili olmuştur. Bu davranış ve tutumların, aile üyelerinin başkalarıyla ilişkilerini, edindikleri rolleri yerine getirme biçimlerini, deneyimlerini, kısaca yaşamlarını önemli derecede etkilediği görülmüştür., Research is focused on the socio-cultural history of a family that emigrated from Russia to Turkey. The purpose of this research is to put forth the socio-cultural history of the family with migration between Russia and Turkey. The theories of research are symbolic interactionalism and ethnomethodology based on the individual. The historical background of the research included historical, social and cultural information about periods when the family members in Russia and Turkey. In-depth interviews were conducted with the participation of five family members within field research. The data were analyzed by content analysis technique. Thanks to the findings, nine socio-cultural characteristics and four themes have been reached which provide detailed information about the sociocultural history of the family. According to the overall conclusion reached by research themes, family members consider the experience they have gained in the process of migration and the information they have already learned and adopt the values they think appropriate to places they are in. Individual definition, interpretation and interaction processes have been influential on behaviors and attitudes developed by family members towards different sociocultural structures. It has been seen that these behaviors and attitudes have influenced significantly family members' relationships with others, their fulfillment form of their roles, their experiences, briefly their lifes.

En la historia de las adaptaciones cinematográficas de la novela María (Isaacs, 1867), se identifica la película experimental e iconoclasta María (Grau, 1966) como perteneciente a la tendencia anticanónica o de subversión y se presentan antecedentes de dicha posición en el campo cultural colombiano. Se continúa con un análisis detallado de sus características narrativas y estilísticas para determinar los niveles semánticos en los cuales opera su propuesta de adaptación y, a partir de registros impresos y orales relacionados con la película, se estudian sus condiciones de producción, circulación y recepción. Este análisis permite establecer cómo la posición anticanónica ante la novela se construye desde múltiples niveles de sentido, determinando su lugar en los campos literarios y cinematográficos en Colombia en la década de 1960 y planteando nuevas pistas para entender el lugar del cine experimental en la historia del cine colombiano. In the history of film adaptations of the novel María (Isaacs, 1867), to experimental and iconoclastic film María (Grau, 1966) it is identified as belonging to the uncanonical trend or subversion and background to the position presented in the Colombian culture field. The article continues with a detailed analysis of the characteristics of narratives and stylistics to determine the semantic level in which it operates its proposal to adjust and, from print and oral records related to the film, their conditions of production, circulation and reception are studied. This analysis shows how a uncanonical position before the novel is built from multiple levels of meaning, determining their place in literary and film fields in Colombia in the 1960s and presenting new clues to understanding the place of the experimental theater in the history of Colombian cinema. Na história das adaptações cinematográficas do romance María (Isaacs, 1867), identifica-se o filme experimental e iconoclasta María (Grau, 1966) como pertencente à tendência anticanônica ou de subversão e apresentamse antecedentes dessa posição no campo cultural colombiano. Continua-se com uma análise detalhada de suas características narrativas e estilísticas para determinar os níveis semânticos nos quais sua proposta de adaptação opera e, a partir de registros impressos e orais relacionados com o filme, estudam-se suas condições de produção, circulação e recepção. Esta análise permite estabelecer como a posição anticanônica diante do romance se constrói a partir de múltiplos níveis de sentido e determina seu lugar nos campos literários e cinematográficos na Colômbia na década de 1960, além de propor novas pistas para entender o lugar do cinema experimental na história do cinema colombiano.

RESUMEN: En la historia de las adaptaciones cinematográficas de la novela María (Isaacs, 1867), se identifica la película experimental e iconoclasta María (Grau, 1966) como perteneciente a la tendencia anticanónica o de subversión y se presentan antecedentes de dicha posición en el campo cultural colombiano. Se continúa con un análisis detallado de sus características narrativas y estilísticas para determinar los niveles semánticos en los cuales opera su propuesta de adaptación y, a partir de registros impresos y orales relacionados con la película, se estudian sus condiciones de producción, circulación y recepción. Este análisis permite establecer cómo la posición anticanónica ante la novela se construye desde múltiples niveles de sentido, determinando su lugar en los campos literarios y cinematográficos en Colombia en la década de 1960 y planteando nuevas pistas para entender el lugar del cine experimental en la historia del cine colombiano. ABSTARCT: In the history of film adaptations of the novel María (Isaacs, 1867), to experimental and iconoclastic film María (Grau, 1966) it is identified as belonging to the uncanonical trend or subversion and background to the position presented in the Colombian culture field. The article continues with a detailed analysis of the characteristics of narratives and stylistics to determine the semantic level in which it operates its proposal to adjust and, from print and oral records related to the film, their conditions of production, circulation and reception are studied. This analysis shows how a uncanonical position before the novel is built from multiple levels of meaning, determining their place in literary and film fields in Colombia in the 1960s and presenting new clues to understanding the place of the experimental theater in the history of Colombian cinema.

Esta investigación propone constituir una experiencia de diálogo interdisciplinar desde la historia cultural. En efecto, préstamos conceptuales, técnicas y miradas amplias provenientes de la antropología, la sociología y la historia social de la población contribuirán al delineamiento de percepciones que oficiales de rango tenían sobre milicianos de estatus inferior que componían las guarniciones para el cuidado de las fronteras territoriales de la provincia de Córdoba. Los datos consignados con frecuencia variable para un padrón de 8.831 milicianos correspondiente al año 1819 son: apellido y filiación, edad, estado civil, origen geográfico, color y apariencia del cabello, barba, cejas y ojos. Tamaño y forma de la nariz, estatura, señas particulares, ocupación. This research proposes to constitute an interdisciplinary dialogue experience from cultural history. Indeed, loans conceptual, technical and broad as from anthropology, sociology and social history of the population contribute to the delineation of perceptions about ranking officers had lower status militia garrisons composing care territorial boundaries Córdoba province. Data recorded with a standard variable rate of 8,831 militiamen for the year 1819 are: last name and affiliation, age, marital status, geographic origin, color and appearance of the hair, beard, eyebrows and eyes. Size and shape of the nose, height, distinguishing marks occupation.

Este artigo analisa como e por que, no início da década de 1970, os editores deO Pasquim ressuscitaram Madame Satã da obscuridade e o promoveram como uma representação exótica e nostálgica da boemia carioca dos anos 30. As declarações francas de Madame Satã sobre sua homossexualidade e sua personalidade de malandro capturaram a imaginação dos boêmios modernos da Zona Sul que podiam aceitar suas bravatas viris ao mesmo tempo que os editores faziam piada e rejeitavam os movimentos emergentes gay e feminista que começavam a se implantar no Brasil. This article analyzes how and why the editors ofO Pasquim resurrected Madame Satã from obscurity in the early 1970s and promoted him as an exotic and nostalgic representation of Carioca bohemia of the 1930s. Madame Satã's overt declarations of homosexuality and his malandro persona captured the imagination of Rio's modernday bohemians of the Zona Sur who could embrace his masculine bravado at the same time that the editors made fun of and rejected the emergent gay and feminist movements that were beginning to take hold in Brazil.

No contexto da formação do Estado Imperial no Brasil, a problemática da língua foi incorporada pelas reflexões sobre a nacionalidade, e pode ser considerada como um dos campos produtores de sentidos em torno da mestiçagem. Especificamente, o artigo pretende discutir aspectos da polêmica sobre a "língua brasileira" em meados do século XIX, tendo como eixo três artigos - "Uma resposta", de Fernandes Pinheiro, "A língua brasileira", de Joaquim Norberto, e "Poesia brasileira", de Juan Valera - publicados na revistaGuanabara (Rio de Janeiro, 1849-1856), e procuraremos, simultaneamente, outros indícios capazes de revelar as tensões políticas, sociais e culturais envolvidas no processo de formação da língua nacional. During the formation of the imperial state of Brazil, the issue of language tinged the discussions on nationality and representations on social and racial mixing. This essay discusses aspects of the polemic over Brazil's national language in the mid-nineteenth century, based on three articles: "A Response", by Joaquim Caetano Fernandes Pinheiro, "The Brazilian Language", by Joaquim Norberto de Sousa e Silva, and a "Brazilian Poetry", by Juan Valera, all published in the literary and scientific magazineGuanabara (Rio de Janeiro, 1849-1856). The analysis permits the uncovering of the political, social and cultural tensions involved in the process of the formation of a national language.