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This document is a basic user’s manual to install, configure and run a SIRENA beach monitoring station.

Aim. To study the features of the use of thrombolytic therapy (TLT) in normotensive patients with pulmonary embolism (PE) in real clinical practice in Russian hospitals.Material and Methods. From 04/1 5/2018 to 04/15/2019 patients hospitalized with a diagnosis of PE consistently were included in the Russian multicenter observational prospective register "SIRENA” (RusSIan REgistry of pulmoNAry embolism).Results. For 12 months in the registry was included 609 patients with a lifetime confirmed diagnosis of PE. TLT was performed in 152 patients with PE (25.0%), of which only 51 (33.8%) were indicated as "high risk" (shock or hypotension). In 101 not high risk patients, the indications for TLT were: severe shortness of breath/respiratory failure - 19 (18.8%), massive venous thrombosis - 7 (6.9%), signs of massive/submassive PE - 10 (9.9%), intermediate-high risk - 14 (13.9%), suspicion of acute coronary syndrome with ST segment elevation - 3 (2.9%), high pulmonary hypertension -2 (2.0%). The other 46 (45.5%) non-high-risk patients had no clear indication of the reasons for TLT in their medical history. To study the features of management of patients with not high-risk PE who received TLT (group 1), a selection of pairs of patients from the "SIRENA” registry, comparable in gender and age, in a ratio of 1:1 of patients with not high-risk PE who did not perform TLT (group 2). Hospital mortality was 4 (4%) patients in the TLT group and 6 (5.9%) patients in group 2 (р=0,748). Logistic regression analysis showed that floating blood clot in the veins of the lower extremities, syncopes in the debut of PE, respiratory rate over 22 per minute were independent clinical factors that significantly influence the doctor's decision to perform thrombolysis, and probability of completion TLT decreased in the presence of a history of bleeding, chronic kidney disease, surgery in the previous 12 months, increase in the size of the right atrium on EchoCG (statistical significance of the model x2=51.574; pConclusion. In real clinical practice, there is a high frequency of TLT in patients with not high-risk PE. Floating blood clot in the veins of the lower extremities, syncope in the debut of PE, respiratory rate over 22 per minute were independent clinical factors that significantly influence the doctor's decision to perform thrombolysis.

In this paper we will expose the development of Mariño´s foundational story since 14th until 17th centuries concerning historiographical, iconographical and writing problems about the relation of the mermaid with the ancestry and genealogy of this noble galician family and its secondary branches (Fandiño, Goyanes). It will be exposed the problematics of this myth´s survivance in transit to the Modern Age and the textual criticism of this story as a Melusine literary matter which it will be prove that does not belong.

The mermaid is one of the most famous Mediterranean myths, both in literature and in the arts. As a cultural macro-category that "explained" an experience of reality, the myth of the mermaid has been so transformed over the centuries and cultures that it has barely maintained the link with the celebrated Homeric episode. In "The Invention Collective", depicting a creature that could have been part of the fantastic zoology of Borges and Guerrero, René Magritte represents an “upside-down” mermaid. Significantly out of the water, the mermaid has human, female legs and the rest of the body of a fish. Already Diderot, in his "Pensées détachées", had already reported on the horror caused by an inverted mermaid. With the exception of the nomenclature of some sea mammals, mermaids do not exist. However, as Agamben suggests, speaking of the "Nymphs", they are "real", since they represent, as can be seen from the title of the painting by Magritte, a "collective invention", that is, a concept constructed to demonstrate the origin of mysterious aspects of reality. The "collective" invention of the mermaid’s myth, as Diderot and Magritte had observed, represents a reversal of the mythological narrative. In the perspective inaugurated by Diderot and Magritte, and through examples taken from works by Giraudoux, Tanizaki and D'Arrigo, we would like to argue that the modernity of the mermaid’s myth resides in the ambiguity and duality of its half figure. La sirena è uno dei miti mediterranei più proficui tanto in letteratura come nelle arti. Macro-categoria culturale che “spiegava” un’esperienza del reale, il mito della sirena si è talmente trasformato durante i secoli e le culture da parodiare o mantenere appena tenuemente il legame con il celebre episodio omerico. Magritte, ne “L’invention collective”, raffigurando una creatura che avrebbe potuto far parte della zoologia fantastica di Borges e Guerrero, presenta all’osservatore, una sirena “al rovescio”. Significativamente fuori dall’acqua, la sirena ha gambe umane, femminili e il resto del corpo di un pesce. Già Diderot, nei suoi “Pensées détachées”, aveva riferito dell’orrore provocato da una sirena rovesciata. Le sirene, ad eccezione della nomenclatura di alcuni mammiferi marini, non esistono. Tuttavia, come suggerisce Agamben parlando delle “Ninfe”, esse sono « reali », poiché rappresentano, come si evince dal titolo del quadro di Magritte, un’« invenzione collettiva », cioè un concetto costruito per dimostrare l’origine di aspetti misteriosi della realtà. L’invenzione “collettiva” del mito della sirena, come Diderot e Magritte avevano osservato, rappresenta un rovesciamento della narrazione mitologica. Nella prospettiva inaugurata da Diderot e Magritte, e attraverso esempi tratti da opere di Giraudoux, Tanizaki e D’Arrigo, intuiamo che la modernità del mito della sirena risieda nell’ambiguità e dualità della sua figura a metà.

U završnom radu će biti prikazana instalacija suvremenog vatrodojavnog sustava i način rada. Zadatak vatrodojavnog sustava je da na vrijeme upozori na pojavu požara radi evakuacije i da se što prije krene s gašenjem požara. Osnovna zadaća je spašavanje života i imovine. Vatrodojavni sustav se sastoji od centrale koja služi za upravljanje i nadzor svih elemanata, automatskih i ručnih javljača koji dojavljuju požar, a sirene i bljeskalice služe za uzbunjivanje. Ovakav sustav se može nadograditi izlaznim modulima koji služe za aktiviranje automatskih sustava za gašenje, paljenje ventilatora, otvaranje protupožarnih vrata i protupožarnih zaklopki. Velike objekte je nemoguće štititi samo ručnom opremom pa oni zahtjevaju automatizirane provjerene sustave koji će pružiti zaštitu od požara. Smanjivanje opasnosti od požara postiže se pravilnim projektiranjem, korištenjem sustava za dojavu i gašenje požara, te pravilnom ugradnjom svih elemenata., The final paper shows the installation of a modern fire alarm system and its operation procedure. The task of the fire alarm system is to warn, as soon as possible, in case of a fire in order to evacuate and to start to put out the fire faster. The basic task is to save lives and property. The fire alarm system consists of a control panel that serves to control and monitor all elements, automatic and manual detectors that report a fire, and sirens and flashes which serve to alert. Such a system can be upgraded by output modules used to activate automatic extinguishing systems, fan ignition, opening fire doors and fire dampers. It is impossible to protect large objects by handheld equipment so they require automated proven systems that will provide protection from fire. Reducing the risk of fire is achieved by proper design, using a fire alarm and extinguishing system, and by proper installation of all the elements.

Identificar las posibles estrategias enfocadas a la reducción del ruido de ambulancias, en el Valle del Cauca para el año 2020. Identificar las posibles estrategias enfocadas a la reducción del ruido producido por la sirena de las ambulancias, genera la inquietud de ¿qué tipo de estrategias se pueden adoptar para la reducción del ruido en las ambulancias?; teniendo en cuenta que en Colombia existe poca evidencia de investigaciones científicas con respecto a la problemática que se genera en el medio ambiente y en los entornos laborales, esta investigación presenta unos resultados que generan conocimiento al profesional de seguridad y salud en el trabajo para su implementación. Con lo anterior se analizaron investigaciones con diversos enfoques metodológicos, donde se buscaron estrategias planteadas a nivel internacional y nacional enfocadas a reducir el ruido de las sirenas de ambulancia, que proporcionen ayuda al personal que labora en el área de la salud. Se realiza una búsqueda en diferentes fuentes documentales primarias como libros y revistas seriadas y secundarias como base de datos. La investigación se desarrolló de forma teórica recopilando, seleccionando y examinando información correspondiente al tema de estudio. Al revisar investigaciones documentales referentes al ruido producido por las sirenas de las ambulancias, se encontraron efectos negativos, según Ballesteros, S. Lorrio, I. Molina y M. Aríz. (2012), la exposición al ruido producido por la sirena de las ambulancias en el personal de emergencias médicas, puede causar efectos adversos a corto, mediano y largo plazo. Se hallaron estrategias enfocadas a la reducción del ruido como auriculares con sistema ANC propuestos por, Tsuyoshi Usagawa, Yasuyuki Shimada & Yoshitaka Nishimura Masanao. (2001), que puede atenuar más de 20 decibeles. Según T. Arenal Gota, J. L. Viana Garriz, T. Belzunegui Otano. (2019), la implementación de un atenuador de noche puede reducir la exposición para todo el personal médico de la ambulancia, tanto para el conductor como para el resto del personal, al mismo tiempo reduce el estrés que pueda generar el ruido en los pacientes y favorece el buen descanso de los ciudadanos. Algunas de las estrategias planteadas pueden llegar a convertirse en una posible solución en el territorio departamental para la mitigación del ruido emitido por este factor. Identifying the possible strategies focused on reducing the noise produced by the ambulance siren raises the concern: what type of strategies can be adopted to reduce noise in ambulances? taking into account that in Colombia there is no scientific research evidence regarding the problems that arise in the environment and in work environments, this research presents results that generate knowledge for occupational health and safety professionals for their implementation. With the aforementioned, documentary-type investigations were analyzed, where strategies were raised at the international and national levels focused on reducing the noise of ambulance sirens, which provide assistance to personnel working in the health area. A search is made in different primary documentary sources such as books and serial and secondary magazines as a database. The research was developed in a theoretical way, collecting, selecting and examining information corresponding to the study topic. Strategies focused on noise reduction were found such as headphones with ANC system proposed by, Tsuyoshi Usagawa, Yasuyuki Shimada & Yoshitaka Nishimura Masanao. (2001). By reviewing documentary investigations regarding the noise produced by ambulance sirens, the researchers were able to show that they can generate short, medium and long-term adverse effects on ambulance medical emergency personnel (S. Ballesteros, S. Lorrio, I Molina and M. Ariz. (2012) Some of the strategies proposed may become a possible solution in the departmental territory for the mitigation of noise emitted by this factor.

Comment une société gère-t-elle son savoir ? Quels mécanismes développe-t-elle pour accélérer ou, au contraire, limiter la production de connaissances ? Quelles différences observer entre deux sociétés fondées l’une sur la limitation du savoir, l’autre sur son accroissement constant ? La Grèce des aèdes offre ici un modèle idéal pour réfléchir, par contraste, à la révolution numérique. Relisant deux épisodes de l’Odyssée pour y découvrir une poésie consciente de ses conditions et limites épistémologiques, cette étude retrouve dans l’histoire de quelques métaphores et modèles mythiques une série d’exemples pour mesurer, entre la toile tissée par Pénélope, le chant des Sirènes et le Web, la distance qui se creuse entre deux modèles opposés de sociétés. How does a society manage its knowledge? Which mechanisms does it develop to accelerate or, on the contrary, limit the production of knowledge? With the digital revolution, modern society appears obsessed by the need to collect and accumulate all possible information on every matter. What may be said of an opposite society established upon the strict regulation of knowledge and not on its steady increase? The Greece of the aoidoi (the oral poets of Ancient Greece) provides a remarkable paradigm to dwell, by way of contrast, upon the digital revolution. Reviewing certain passages of the Odyssey, we will see how ancient oral poetry was also a tool to control and limit production of knowledge. This study discovers, within the history of a couple of metaphors and mythical designs, valuable tools to measure, amid Penelope’s and the Internet’s woven webs, the divide between two opposite models of society. ¿Cómo una sociedad organiza su relación al saber? ¿Qué mecanismos desarrolla para acelerar o, al contrario, limitar la producción de conocimientos? ¿Qué diferencias observar entre dos sociedades fundadas una sobre la limitación del saber, la otra sobre su crecimiento constante? La Grecia de los aedas ofrece aquí un modelo ideal para reflexionar, por contraste, en torno a la revolución numérica. Al releer dos episodios de la Odisea para descubrir una poesía consciente de sus condiciones y límites epistemológicos, este estudio incide en la historia de algunas metáforas y modelos míticos: entre la tela tejida por Penélope, el canto de las Sirenas y la Web, se mide la distancia que separa dos modelos opuestos de sociedad.

RESUMO O artigo analisa as articulações entre a Igreja Católica, a Philips do Brasil e o governo brasileiro relacionadas à implantação de um sistema radioeducativo no país. Observamos as relações interinstitucionais ao longo da década de 1950, quando o enfrentamento ao analfabetismo se constituiu em política nacional. O exame das fontes privilegiou, além de documentos oficiais e outros escritos, o livro Educação fundamental pelo rádio, de João Ribas da Costa, professor, entusiasta da radioeducação e funcionário da Philips. Com base na ideia de estratégia, de Michel de Certeau, buscamos identificar os argumentos em defesa da implantação do Sistema Radioeducativo Nacional (SIRENA), compreender as noções do papel e da competência do Estado então veiculadas e destacar os distintos interesses que convergiam em um projeto comum. Finalmente, observamos as relações entre a constituição desse sistema e o estabelecimento do Movimento de Educação de Base (MEB), em 1961.

Colección: Homenaxes, nº 15 [Resumen] En un legajo procedente de una colección privada, con documentación manuscrita relativa a los preliminares para la publicación del comentario de un texto de Ambrosio de Milán fechada en 1674-1675, encontramos, a modo de carátula del mismo, una composición de carácter emblemático formada por tres elementos: un dibujo a plumilla con la figura de una sirena tocando un violín entre las olas del mar, un lema latino y una estrofa poética, también en latín, a modo de epigrama. En el interior del legajo se incluye una suerte de explicación o declaratio del emblema; aquí su autor, fray Luis Francisco Ruiz de la Peña, disertando como eje de su discurso en torno al motivo de la sirena —elemento pseudo-heráldico tradicional de Villanueva de la Serena, municipio pacense en el que el franciscano ejerció su labor docente—, traza un apasionado panegírico en el que exalta las bondades de aquella población. El recurso al emblema de encabezamiento, unido a las alusiones explícitas a diversas obras representativas de la literatura simbólica del momento insertas en el comentario, nos permiten, a partir de la transcripción y glosa del documento, trazar unas estrechas relaciones entre emblemática y heráldica en la cultura humanista de la segunda mitad del siglo XVII. [Abstract] In a file from a private collection, with manuscript documentation relating to the preliminaries for the publication of the commentary on a text by Ambrose of Milan dated 1674-1675, we find, used as a cover, a composition of emblematic character formed by three elements: a pen drawing with the figure of a mermaid —«sirena» in Spanish— playing a violin between the waves of the sea, a Latin motto and a poetic verse as an epigram. Inside the file is included a kind of explanation or declaratio for the emblem; here its author, fray Luis Francisco Ruiz de la Peña, lecturing on the motif of the mermaid—the traditional pseudo-heraldic element of Villanueva de la Serena, a municipality in Badajoz in which the Franciscan carried out his teaching work—and using it as the lynchpin of his address, draws a passionate panegyric in which he extols the virtues of that town. Resorting to the emblem as header, together with explicit allusions to various representative works of the symbolic literature of the moment inserted in the commentary, allows us, using the transcription and comments of the document, to draw close relationships between emblems and heraldry in the Humanist culture of the second half of the seventeenth century Junta de Extremadura; GR 18072

In this paper we will expose the development of Mariño´s foundational story since 14th until 17th centuries concerning historiographical, iconographical and writing problems about the relation of the mermaid with the ancestry and genealogy of this noble galician family and its secondary branches (Fandiño, Goyanes). It will be exposed the problematics of this myth´s survivance in transit to the Modern Age and the textual criticism of this story as a Melusine literary matter which it will be prove that does not belong. En el siguiente artículo se pretende exponer el desarrollo del relato fundacional de los Mariño desde el siglo XIV hasta el siglo XVII determinando las problemáticas historiográficas, iconográficas y textuales sobre la relación de la sirena y su aprovechamiento en el linaje y genealogía de esta familia noble gallega y sus ramas secundarias (Fandiño, Goyanes). Se expondrán las problemáticas de la supervivencia del mito en el tránsito a la Edad Moderna y la crítica textual a la integración de dicho relato dentro de la materia de Melusina al que demostraremos que no pertenece. [gl] No seguinte artigo preténdese expoñer o desenvolvemento da relato fundacional dos Mariño dende o século XIV até o século XVII determinando as problemáticas historiográficas, iconográficas e textuais sobre a relación da serea e o seu aproveitamento na liñaxe e xenealoxía desta familia nobre galega e as súas ramificacións secundarias (Fandiño, Goyanes). Expoñeranse as problemáticas da supervivencia do mito no tránsito á Idade Moderna e a crítica textual á integración do dito relato dentro da materia de Melusina ó que demostraremos que non pertence.

Riassunto. Questo articolo indaga la presenza della sirena sull’acquasantiera nel Medioevo. L’esame è stato condotto sui casi conservati e oggi noti, tutti concentrati cronologicamente (XII secolo) e territorialmente (Italia del Nord). Si tratta del pezzo nella pieve romanica di San Giorgio a Ganaceto (non lontano da Modena), dell’acquasantiera nella pieve romanica di Santa Maria Assunta a Rubbiano, nel comune di Montefiorino (nell’Appenino modenese), e della pila lustrale nel battistero del duomo di Cremona. Lo studio, che si avvale dei precedenti e non discute la cronologia e l’attribuzione già oggetto di ampio dibattito da parte di altri studiosi, ha riesaminato invece l’iconografia, giungendo a ipotizzare che non sempre è possibile identificare i soggetti scolpiti con le sirene, come è stato fatto in passato. Appare invece opportuno riconoscervi esseri più mostruosi, come la lamia o l’arpia, forse per valorizzare maggiormente le qualità salvifiche dell’acqua benedetta. Anche sui fonti battesimali la sirena appare personaggio poco sfruttato, ma l’indagine in questo contesto è ancora da svolgere in maniera sistematica. This paper investigates the presence of the siren on the holy-water font in the Middle Ages. The study was carried out on the preserved and known cases, all grouped chronologically (12th century) and territorially (Northern Italy). This is the piece located in the Romanesque church of San Giorgio in Ganaceto (near Modena), the stoup in the Romanesque church of Santa Maria Assunta in Rubbiano, in the municipality of Montefiorino (in the Modenese Apennines), and the lustral pile in the baptistery of cathedral of Cremona. The study, which makes use of the precedents and does not discuss the chronology and the attribution already subject of wide debate by other scholars, has instead re-examined the iconography, coming to hypothesize that it is not always possible to identify the subjects sculpted with the sirens, as has been done in the past. On the other hand, it seems appropriate to recognize more monstrous beings, such as the lamia or the harpy, perhaps to enhance the salvific qualities of holy water. Moreover on the baptismal fonts the siren appears as a little exploited character, but the investigation in this context is still to be carried out in a systematic way.

In 2010, Celia de Freine published the Gaelic translation of "Penelope", a poem byt the Galician poet Xohana Torres which challenges the passive role ascribed to women by Western literary tradition and claims for the unknown seas as the space into which women must venture. In 2011, De Freine published a revised version of her previous Gaelic rendering and added an English translation, a signal of her attraction towards the symbolic figuration of this alternative Penelope the navigator. Along a similar line, De Freine's 2010 poetry collection imram: odyssey, framed by the Gaelic genre of the imram about the voyage and its challenges, sheds light on women's long-repressed wanderlust and yearning for adventure. This article enquires into the intersection of gender and mobility through the analysis of a number of De Freine's symbolic figurations of women's mobility: navigators, mermaids, and flying women. Drawing on Rosi Braidotti's trope of the "nomadic subject" and her thesis regarding the transformative capacity of metaphorical language (1994: 4), I will pay special attention to those empowering tropes which engender alternative forms of agency. Nonetheless, Utopian discourses on women's mobility also need to be scrutinised in light of Judith Butler's warning about the death of the sovereign subject, her vulnerability and her dependence on the Other (2005). Key Words. Celia de Freine, Irish Poetry, Xohana Torres, Mobility, Women's Studies, Penelope, Mermaid, Flying Woman Resumen. En 2010 Celia de Freine publico su traduccion al gaelico de "Penelope", un poema de la poeta gallega Xohana Torres que cuestiona el papel pasivo atribuido a las mujeres por la tradition literaria occidental y que reclama los mares ignotos como espacio en el que se deben aventurar las mujeres. En 2011 De Freine publico una version revisada de dicha traduccion gaelica, anadiendo una traduccion inglesa, lo cual evidencia su atraccion por la figuration simbolica de esta Penelope navegante alternativa. En esta linea, el poemario imram: odyssey que De Freine publico en 2010 se enmarca en el genero gaelico del imram sobre el viaje y sus vicisitudes, aportando luz a la pasion viajera de las mujeres y sus ansias de aventura tanto tiempo reprimidas. Este articulo indaga sobre la intersection de genero y movilidad a traves del analisis de varias figuraciones simbolicas de la movilidad de las mujeres: navegantes, sirenas y mujeres voladoras. Partiendo del tropo del sujeto nomada de Rosi Braidotti y de su tesis sobre la capacidad transformadora del lenguaje metaforico (1994: 4), prestare especial atencion a aquellos tropos de empoderamiento que generan formas alternativas de agencialidad. Sin embargo, los discursos utopicos sobre la movilidad de la mujer han de ser examinados teniendo tambien en cuenta la advertencia de Judith Butler sobre la muerte del sujeto soberano, su vulnerabilidad y su dependencia del Otro (2005). Palabras clave. Celia de Freine, Poesia irlandesa, Xohana Torres, Movilidad, Estudios de la Mujer, Penelope, Sirena, Mujer voladora Symbolic Figurations of Female Mobility In 2010, the Irish poet Celia de Freine participated in To the Winds Our Sails, an anthology of contemporary Galician women poets translated, into English and Gaelic, by Irish poets (O'Donnell and Palacios 2010). De Freine's long-lasting commitment to the Gaelic language and her consolidated position in the world of Irish letters found a perfect match in the writing career of the doyenne of Galician poetry, Xohana Torres (1931-), whose writing has inspired successive generations of Galician poets, especially women. The Galician poet contributed five poems to this anthology, among them one of her most influential texts "Penelope" (Torres 2004: 251). In this poem, an anonymous oracle encourages Penelope to go out to sea and navigate westward, at the time of the grape harvest, to a place that can be recognised as Galicia, a semi-autonomous community in north-western Spain. …

La decisión de realizar este proyecto surge como necesidad de garantizar el confort, bienestar y seguridad de las personas, así como aumentar la vida útil y proteger los elementos de la industria, teniendo a su vez el suficiente contenido técnico como para poder aplicar los conocimientos adquiridos durante el transcurso de los estudios. La parte fundamental del proyecto constará del cálculo de las Instalaciones Solar Térmica, Protección Contra Incendios y Eficiencia Energética.

This article is about the development of the equations of motion in 6 DOF of the AUV (Autonomous Underwater Vehicle) SIRENA carried out by students of UPCT. As it is a pre-programmed submersible, one of the main targets is to model mathematically the submarine dynamics to obtain the simulation of its movement under any circumstance. The equations form a non-lineal system of EDPs and EDOs and are simplified using hydrodynamic coefficients. The aim of this study is to present briefly the non-lineal system of differential equations and to comment how the main coefficients have been estimated.

Monografija o odnosima stiha i proze: 1. analiza stihova i proze (Vergilije, Racine, Tomasi di lampedusa, Mallarmé, Quignard, Malaparte ; 2. antologija prevoda