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V nalogi obravnavam podobo buržuja v treh dramah Henrika Ibsena. S pomočjo zgodovinskega konteksta, avtorjevega življenjepisa in literarnega obdobja dela umestim v čas in prostor. Skozi obravnavana dela Noro, Strahove in Divjo račko poskušam poudariti glavne lastnosti novega vladajočega razreda. Razmišljam o tem, kako deluje buržuj in se osredotočim na njegovo odvisnost od ugleda in videza. Nato obravnavam odnose med pripadniki meščanstva in razmišljam o tem, kaj loči zmagovalca od poraženca. V tem kontekstu me zanima vprašanje legalnosti in legitimnosti. Ukvarjam se tudi z vprašanjem medgeneracijskih odnosov in ugotavljam, kako se kaže razumevanje vpliva okolja in dednosti. V nadaljevanju problematiziram položaj ženske v obravnavanih dramah in obravnavam glavne točke avtorjeve kritike: neenakost med zakonskima partnerjema (kot posledico ekonomske neenakosti med njima), arbitrarnost moralnih načel, vlogo cerkve pri vzdrževanju patriarhata in pomen ženske emancipacije. In this thesis, I examine the image of the bourgeoisie in three dramas of Henrik Ibsen. With the help of the historical context, the author's biography and the literary period of the work, I place it in time and space. Through the works Nora, Ghosts and Wild Duck, I try to emphasize the main features of the new ruling class. I think about how the bourgeoisie works and focus on its dependence on reputation and appearance. Then, I discuss the relations between the members of the bourgeoisie and think about what separates the winners from the losers. In this context, I am interested in the issue of legality and legitimacy. I also deal with the issue of intergenerational relations and find out how the understanding of the impact of the environment and heredity is manifested. Next, I problematize the position of women in the dramas and discuss the main points of the author's critique: inequality between spouses (as a consequence of economic inequality between them), arbitrariness of moral principles, the role of the church in maintaining patriarchy and the importance of women's emancipation.

The article presents an analysis of the functions of the literary landscape and the literary interior in the short story "Tanya" by I. A. Bunin. Particular attention is paid to the issue of the elaboration of the concepts of "landscape" and "interior" in Russian literary criticism. In link with this problem, studies of the peculiarities of the writer's art world are taken into account. It also seems appropriate to refer to the mythopoetic of some details of both the landscape and interior. The landscapes in the story are characterized by a psychological function: these are associated with the inner state of the protagonist. Interiors often fulfill a decorative and characterological function - these aims to create the image of a landlord's house, tells about the patriarchy and belonging to its mistress noble culture. Moreover, the noble estate is thought of as a single space, suggesting the fusion of a house and a garden, therefore, it is proposed to analyze the landscape and interior as a complex. This approach helps to reveal the mythologemes of the hearth and the Garden of Eden in the story. В статье представлен анализ функций литературного пейзажа и литературного интерьера в рассказе И. А. Бунина "Таня". Особое внимание уделяется вопросу разработанности понятий "пейзаж" и "интерьер" в отечественном литературоведении. В связи с этой проблемой учитываются исследования особенностей художественного мира писателя. Также представляется целесообразным обращение к мифопоэтике некоторых деталей пейзажа и интерьера. Для пейзажей в рассказе характерна психологическая функция: они сопряжены с внутренним состоянием главного героя. Интерьеры часто выполняют декоративную и характерологическую функцию - помогают создать образ помещичьего дома, рассказать о патриархальности и принадлежности к дворянской культуре его хозяйки. Причём дворянская усадьба мыслится как единое пространство, предполагающее слитность дома и сада, поэтому пейзаж и интерьер предлагается анализировать в комплексе. Такой подход помогает выявить в рассказе мифологемы домашнего очага и райского сада.

Рассматривается "повесть современных лет" Алексея Слаповского "Первое второе пришествие" как роман-евангелие. Черты жанра "роман-евангелие" сформировались во второй половине XX века преимущественно в европейской литературной традиции. В России данный жанр, знаменовавший собой попытку начат новый диалог с христианской традицией, существенно трансформируется. Цель этой работы - показать вектор этих трансформаций, определивший самобытность Слаповского как художника. Анализ романа обнаруживает смещение акцентов с игры и пародирования канонического Евангелия в сторону серьезности. Формирование личности главного героя показано Слаповским как процесс постепенного обретения им истинной веры, восхождения к архетипу Христа., The article considers Alexey Slapovskiy's so-called "tale of modern times", the novel "The First Second Coming", as an evangelical novel, a genre that began to form in the second half of the twentieth century, primarily within the European literary tradition. This genre in Russian literature marked the attempt to begin a new dialogue with the Christian tradition and is currently transforming. This work aims to show the vector of these transformations, which defined Slapovskiy's artistic identity. Analysis of the novel reveals a change of emphasis from play and parody of the Canonical Gospels to seriousness. The formation of the protagonist's personality is shown by Slapovskiy as his finding of the true faith and achieving the archetype of Christ., Уральский филологический вестник, Issue № 3, Pages 120-132

В статье представлен анализ функций литературного пейзажа и литературного интерьера в рассказе И. А. Бунина "Таня". Особое внимание уделяется вопросу разработанности понятий "пейзаж" и "интерьер" в отечественном литературоведении. В связи с этой проблемой учитываются исследования особенностей художественного мира писателя. Также представляется целесообразным обращение к мифопоэтике некоторых деталей пейзажа и интерьера. Для пейзажей в рассказе характерна психологическая функция: они сопряжены с внутренним состоянием главного героя. Интерьеры часто выполняют декоративную и характерологическую функцию - помогают создать образ помещичьего дома, рассказать о патриархальности и принадлежности к дворянской культуре его хозяйки. Причём дворянская усадьба мыслится как единое пространство, предполагающее слитность дома и сада, поэтому пейзаж и интерьер предлагается анализировать в комплексе. Такой подход помогает выявить в рассказе мифологемы домашнего очага и райского сада., The article presents an analysis of the functions of the literary landscape and the literary interior in the short story "Tanya" by I. A. Bunin. Particular attention is paid to the issue of the elaboration of the concepts of "landscape" and "interior" in Russian literary criticism. In link with this problem, studies of the peculiarities of the writer's art world are taken into account. It also seems appropriate to refer to the mythopoetic of some details of both the landscape and interior. The landscapes in the story are characterized by a psychological function: these are associated with the inner state of the protagonist. Interiors often fulfill a decorative and characterological function - these aims to create the image of a landlord's house, tells about the patriarchy and belonging to its mistress noble culture. Moreover, the noble estate is thought of as a single space, suggesting the fusion of a house and a garden, therefore, it is proposed to analyze the landscape and interior as a complex. This approach helps to reveal the mythologemes of the hearth and the Garden of Eden in the story., Уральский филологический вестник, Issue № 3, Pages 69-79

Il periodo tra le due guerre mondiali è stato un periodo molto difficile per la città di Zara. In seguito alla fine della Prima guerra mondiale ed al crollo della Monarchia austro-ungarica, durante la quale la città fu capitale del Regno di Dalmazia, inizia occupazione italiana di Zara. Con lo stabilimento delle autorità politiche italiane, la vita pubblica e culturale della città viene contrassegnata dal divieto delle società croate, dalla chiusura delle scuole primarie e secondarie, dalle lezioni esclusivamente in lingua italiana, dalla chiusura di molte biblioteche e tipografie. Tutti questi cambiamenti causarono l'emigrazione di numerosi intellettuali zaratini. La ricca attività editoriale in croato, a causa della quale la città è diventata un importante centro culturale, sotto l'influenza dell'ideologia irredentista è sostituita da edizioni in lingua italiana. In questa tesi di laurea è stata fatta un'analisi di temi letterari pubblicati su due riviste italiane «Dalmazia» e «La vita in Dalmazia». Si tratta delle riviste che uscivano a Zara durante il periodo tra le due guerre mondiali. Attraverso l'analisi delle riviste si è cercato di offrire un’immagine della vita quotidiana e politica di Zara in detto periodo, ma anche delle altre parti della Dalmazia. Anche se fondate con lo scopo prevalentemente ideologico e politico, come si può concludere in base ad alcuni articoli in cui è evidente la tendenza dell'annessione della Dalmazia all’Italia, nelle riviste si possono trovare interessanti contributi letterari usciti dalla penna degli autori italiani e quelli dalmati. Razdoblje između dvaju svjetskih ratova je bilo veoma burno za grad Zadar. Završetkom prvog svjetskog rata i propasti Austro – ugarske monarhije, tijekom čije je vladavine grad bio prijestolnica Kraljevine Dalmacije, započinje talijanska okupacija Zadra. Dolaskom Talijana na vlast javni i kulturni život grada uvelike se mijenja. Zabranjivanje hrvatskih društava, zatvaranje osnovnih i srednjih škola, nastava isključivo na talijanskom jeziku te zatvaranje mnogih knjižnica i tiskara, sve te promjene uzrok su iseljavanja brojnih zadarskih intelektualaca. Bogatu izdavačka djelatnost na hrvatskom jeziku, zbog koje je grad postao važnim kulturnim središtem, pod utjecajem iredentističke ideologije zamjenjuju izdanja na talijanskom jeziku. U ovom diplomskom radu izvršena je analiza književnih tema u dvjema talijanskim časopisima «Dalmazia» i «La vita in Dalmazia». Riječ je o časopisima koji su izlazili u gradu Zadru tijekom razdoblja između dvaju svjetskih ratova. Analizom časopisa dobiven je uvid u svakodnevni i politički život grada Zadra, ali također i ostatka Dalmacije. Premda osnovani s ciljem širenja iredentističke ideologije, što je vidljivo u pojedinim prilozima u kojima se očituje težnja za pripojenjem Dalmacije Italiji, u časopisima se uistinu mogu pronaći zanimljivi književni doprinosi kako talijanskih tako i dalmatinskih autora. The period between the two world wars was very turbulent for the city of Zadar. By the end of the First World War and the collapse of the Austro - Hungarian monarchy, during which the city was the capital of the Kingdom of Dalmatia, the Italian occupation of Zadar began. With the arrival of the Italians to power, the public and cultural life of the city is greatly changing. Banning Croatian societies, closing elementary and high schools, teaching exclusively in the Italian language and closing down many libraries and printers, all these changes have led to the emigration of many Zadar intellectuals. The rich publishing activity in the Croatian language, due to which the city has become an important cultural center, under the influence of irredentist ideology replace editions in the Italian language. In this graduate thesis an analysis of literary themes was carried out in two Italian periodicals «Dalmazia» and «La vita in Dalmazia». It is about periodicals that were published in the city of Zadar during the period between the two world wars. An analysis of the periodical gave insight into the everyday and political life of the city of Zadar as well as the rest of Dalmatia. Although founded with the aim of expanding the irredentist ideology, as can be seen in some of the contributions that show the aspiration of joining Dalmatia to Italy, in the periodicals interesting literary contributions of both Italian and Dalmatian authors can be found.