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En este libro, titulado Itinerarios de Smeraldi: Representaciones y gobierno del territorio en la obra de un cartógrafo farnesiano (1580-1634), los profesores Lucia Masotti y Fabio Stocchi presentan los resultados de la investigación sobre la obra del cartógrafo Smeraldo Smeraldi durante el ducado Farnesio, más precisamente sobre la cartografía y otros documentos de trabajo que realizó acerca de la franja nororiental del río Po y su intersección con los afluentes Enza y Parma. Además de este libro, los resultados de la investigación se divulgaron a través de eventos académicos y culturales, entre los que sobresale la exposición cartográfica sobre el periodo Farnese, en la que se incluyó la obra de Smeraldi, celebrada en el Palacio de la Pilotta de la ciudad de Parma entre marzo y julio de 2022.

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Uno de los múltiples problemas que plantea la Fazienda de Ultramar (ca. 1210-1235) es la dificultad de distinguir entre su fase genética y su transmisión textual, sin que hasta ahora se haya podido averiguar si la traducción y ensamblaje de las dos partes que componen la obra (Biblia hebrea e itinerario de Tierra Santa) se produjo en el momento de copiar el único testimonio conservado (ms. BU Salamanca 1997) o si, por el contrario, dichos procesos ya se habían llevado a cabo en una etapa anterior. La evidencia codicológica y textual analizada en este artículo demuestra que la Fazienda es, en efecto, copia fiel de un modelo en el que ambos textos ya habían sido traducidos y ensamblados, y que la mayoría de errores de copia que achacamos a los copistas del testimonio salmantino muy probablemente estaban ya en su antígrafo.

Copyright of Scripta Mediaevalia is the property of Universidad Nacional de Cuyo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

For more than 15 years of welcoming pilgrims on the Camino de Santiago, we have been able to detect a paradigmatic spiritual itinerary among pilgrims that, for some, ends in an experience of conversion to faith. The process consists of three stages that each person experiences in a unique way. The first stage is linked to the very fact of walking, breaking with monotony and awakening the deepest yearnings for transcendence. This existential opening is generally expressed as a spiritual experience, following the characteristics of new postmodern spiritual phenomena. For some of the pilgrims, these steps represent an evangelical preparation, an opening to live and accept an encounter with God that implies a vital transformation. [ABSTRACT FROM AUTHOR]

Las peregrinaciones a Tierra Santa comienzan en época constantiniana, en el primer tercio del siglo IV. A partir de este momento va surgiendo una “geografía sagrada”, se construyen iglesias en lugares que son considerados santos y se establecen nuevos rituales. Una gran parte de estos primeros visitantes fueron mujeres. Conocemos el caso de algunas mujeres romanas pertenecientes a familias de la aristocracia que decidieron emprender una vida ascética en Tierra Santa, bien después de enviudar, bien junto con sus maridos, renunciando a su patrimonio o empleándolo en la fundación de comunidades monásticas y en la edificación de iglesias y hospitales en Tierra Santa. Egeria, cuyo lugar de origen y condición social ignoramos, escribió un relato de su viaje en el que nos informa acerca de la geografía de Tierra Santa a finales del siglo IV y describe las tradiciones litúrgicas de Jerusalén tal y como ella misma las presenció.

Emilia Pardo Bazán es una autora canónica de la literatura española, pero todavía existen áreas de su trayectoria literaria poco estudiadas, como su faceta de viajera. Por la Europa católica (1902), libro de viajes donde recopiló crónicas escritas y publicadas en la prensa contemporánea, es un buen ejemplo. El presente artículo tiene por objeto llenar algunas de las lagunas que presenta el estudio de esta obra apenas atendida por la crítica especializada. Para ello nos centraremos en los siguientes aspectos: la transmisión textual de cada texto, la datación de los itinerarios y la estructura del libro. Un estudio de este tipo permite conocer mejor el proceso creativo de la escritora y aproximarse a uno de los rasgos prototípicos de este subgénero literario: la factualidad.

Copyright of CLIO América is the property of Universidad del Magdalena and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Há aproximadamente dois anos o grupo de estudo em filosofia sistemática brasileira da Faculdade Católica de Fortaleza (FCF) iniciou suas atividades debatendo sobre o itinerário filosófico do Brasil desde a época colonial até a contemporaneidade. Percebeu-se com tal análise que foram os padres jesuítas que deram início e preservaram os discursos metafísicos na filosofia brasileira, entretanto tais debates metafísicos foram ficando muito defasados por conta do apogeu da era tecnicista. Neste sentido, o contexto filosófico brasileiro se viu por muito tempo dominado por pensamentos positivistas, sem que houvesse filósofos que conseguissem reaver solidamente um debate metafísico forte o bastante para barganhar com as correntes positivistas reinantes. Entretanto surgem no século XX dois grandes pensadores que não só trouxeram para o Brasil uma nova base metafísica, como também se apresentam como frutos de uma nova era filosófica brasileira, onde os filósofos são tidos como pensadores mais preocupados em desenvolver uma filosofia mais enraizada na cultura brasileira, além de também deter uma preocupação metodológica.

This article aims to present a didactic device for the teaching of a staged fable genre. For this, we resume, at first, the didactic models of the genres fable and the staged fable used in the mini course for portuguese language teaching and, subsequently, we approach the didactic device contrasting two modalities: 1) didactic sequence for the teaching of the fable; 2) itinerary for teaching the staged fable. Didactically, from the original proposal of a didactic sequence (DOLZ; NOVERRAZ ; SCHNEUWLY, 2004), we present an itinerary, a new didactic device, through the insertion of metacognitive activities (COLOGNESI & DOLZ, 2017) and retextualization (MARCUSCHI, 2001), which allows a greater articulation between writing, orality and reading. Furthermore, we incorporated dimensions that include elements of oral and scenic language, such as paralinguistics, kinesics and proxemics, which require the mobilization of multimodal and multisemiotic language skills. [ABSTRACT FROM AUTHOR]

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Copyright of Anales de Historia del Arte is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ad Limina. Revista de investigacion del Camino de Santiag y las peregrinaciones is the property of AD LIMINA Turismo de Galicia SA de Xestion do Plan Xacobeo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Crónica de Fernando IV carries a chronological mistake which increases as the story moves forward. The comparison between the chronological and spatial information of the chronicle and the data provided by the documents from the chancellery let us not only check the accuracy of the king’s itinerary or the precise dating of the events that the chronicle tells about, but also to come up with some conclusions about the writing process of the text. So, a new perspective is used to apply the metodology and study of royal itineraries to solve relevant issues concerning genetic criticism. The analysis of the later aspect is the major aim of this work.

This study aims to propose a model for understanding, from the perspective of philosophy, not only the philosophy-mysticism relationship but also the spirituality-mysticism-philosophy relationship, by means of a conceptual analysis, from the standpoint phenomenology and hermeneutics, which includes historical background that becomes concrete in ways involving the evolution of the notion of mysticism toward the requirement, on the part of modernity and post-modernity, that mysticism and spirituality be substantiated, and not just reduced to the qualifying adjectives that accompany other disciplines or treatises. The result is an enriching reflection based on experience taken as mediation in the context of the relationship with the Absolute. [ABSTRACT FROM AUTHOR]

La fazienda de Ultramar es un texto del siglo XIII que traduce la Biblia a la manera de los itinerarios o guías de peregrinos medievales: en él, la selección de pasajes de la Escritura está motivada por la geografía de Tierra Santa, que orienta el recorrido por los relatos bíblicos. El objetivo de este trabajo será profundizar en las operaciones discursivas que diferencian a La fazienda de Ultramar de sus fuentes y de otros romanceamientos, y que reflejan las dificultades que enfrentaban los primeros traductores de la Biblia a las lenguas vernáculas. Nos centraremos específicamente en los aspectos que se vinculan con los debates de índole doctrinal y las discusiones teológicas propias del momento de redacción de la obra. Por ello, analizaremos la representación de la Santísima Trinidad, la Virgen María y los ángeles, augurando que nos permitirá conocer el sistema cultural en que se ubicaba el autor y su modo de trabajo en tanto traductor.

Copyright of Olivar is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Metodología de la Investigación Social is the property of Centro de Investigaciones y Estudios Sociologicos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Este artigo tem a finalidade de apresentar o projeto de ensino, pesquisa e extensão Roteiro Geo-turístico em Porto Nacional-TO, esta ação acontece no centro histórico e o artigo está concentrado em discutir as interfaces e entraves do Turismo na cidade de Porto Nacional partindo da apresentação do Roteiro Geo-turístico. Será considerado como o ele é uma porta de possibilidades para o turismo no munícipio e como ele (re) significa o espaço do centro histórico da cidade. Sendo o objetivo mostrar como o roteiro pode contribuir para o desenvolvimento e planejamento do turismo na cidade de Porto Nacional-TO, e mostrar uma contextualização geral do turismo no cenário atual do espaço urbano de Porto Nacional-TO, em que são rebuscadas recomendações e suas aplicações para se pensar em um planejamento do turismo neste lugar. A metodologia foi a exploratória em leituras ao Dossiê do Projeto e fontes acessadas no meio digital, acompanhado da observação participante no circuito do roteiro.

Copyright of Pasos: Revista de Turismo y Patrimonio Cultural is the property of Universidad de La Laguna, Instituto Universitario de Ciencias Politicas y Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article is aimed at thinking about NEET (Not in Education, Employment, or Training) youth and at proving experientially that the NEET concept is a way to hide social problems impacting youth because it does not take into account the structural restrictions that lead to this situation. This situation has become a pattern of social imbalance, where the lack of work experience promotes a vulnerable situation for those who just start to enter the labour world, which may leave “scars” in their lives. We present an analysis on youth transitions, where not every youth achieves to get out of job insecurity as an adult. An uncertain market of low wages is unsafe and flexible, and does not address the necessities of youth, who are paralysed in a socioeconomic crisis with few opportunities. This article approaches a selection of bibliographical sources and describes the information collected by the Working Population Survey (WPS) about the evolution of NEET, its relation with the job market, and the reasons why these youth do not look for employment. We conclude by arguing that weak work prospects end up deteriorating the citizen rights of the youth population.

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Copyright of Education Policy Analysis Archives / Archivos Analíticos de Políticas Educativas / Arquivos Analíticos de Políticas Educativas is the property of Educational Policy Analysis Archives & Education Review and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Historia del Arte is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Using the many itineraries to the Holy Land as a source, La fazienda de Ultramar, one of the earliest examples of Castilian prose, incorporates a guide for pilgrims to its rewriting of the Old Testament. Through the compilation of images and stories that usually show the encyclopaedic knowledge of those who cultivated the genre known as itinerarium, this pioneering translation of the Holy Scriptures allows us to explore the way in which the lore of Eastern geography was promoted in the Iberian Peninsula during the thirteenth century. The purpose of this study will be to analyse the interaction of these textual traditions and the way in which the structure of this itinerarium affects the treatment of the holy text, to examine the fashion in which the narrative logic of the biblical episodes is subjected to geographical depiction.

Neuroscience has shown that the brain needs to be moved to learn. The last book that Eduardo Araque Jiménez wrote and published before embarking on the definitive voyage allows us to see to what extent this is true.

O presente artigo pretende destacar como uma perspectiva de poiésis cristã, como forma de pensamento poético está presente desde a literatura bíblica e perpassa a literatura de inspiração cristã, especialmente em dois elementos intimamente relacionados, a contemplação de imagens poéticas e a ideia de um itinerário de busca. Tais traços podem ser encontrados ao longo da literatura de inspiração cristã, mas especialmente são evidenciados em Dante Alighieri como pensamento poético teológico, que inspirará a literatura moderna e contemporânea.

La Realidad aumentada (RA) configura un nuevo ambiente de aprendizaje más enriquecido, combinando contenidos físicos y digitales. Por ello, el objetivo de este trabajo se dirige al diseño de un itinerario didáctico interdisciplinar con RA destinado a estudiantes universitarios del Grado de Maestro en Educación Primaria. Así, haciendo uso de una estructura gamificada se presenta a los estudiantes un misterio que deben resolver a través de diferentes pistas y pruebas geolocalizadas de manera colaborativa e innovadora. Con todo, el itinerario propuesto pretende servir de guía a los futuros maestros/as de Educación Primaria como vehículo para promover la integración efectiva de las nuevas tecnologías y que dé respuesta a las necesidades de un alumnado cada vez más digitalizado.

Copyright of Journal of Italian Studies / Rivista di Studi Italiani is the property of Rivista di Studi Italiani and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sulcis-Iglesiente, in the south-west of Sardinia, is a region with an historical experience of mining industry. During an entire century, this activity left some documents and material tracks, now transformed in ruins. The purpose of this article is to create an itinerary with photos and real geographic references in order to discover and explain the history told by these remains. With ancient contributes written by travellers of the past and historical images of the region, this voyage in sardinian mining world reflects also the heritage left on the area and the population.

The theme of wisdom is as ancient as philosophy itself. Mankind seeks it to direct himself in the journey of life. The Greek philosophers and the Sacred Scriptures reproduce the theme in different contexts. It is a matter of knowledge that goes beyond mere rationality and in the New Testament, Saint Paul speaks of a Christian wisdom, which proceeds from the mystery of Christ, as opposed to the worldly, which is vain and non-salvifi c. Saint Bonaventure also proposes a Christian wisdom in his great fi nal work, the Collationes in Hexaëmeron, a wisdom that manifests itself in four ways: uniform wisdom, all forms wisdom, multiform wisdom and unlimited wisdom. The article presents these forms of wisdom, which are the basis for re-proposing a Bonaventurian program of Christian wisdom. Even today the Bonaventurian itinerary towards wisdom helps us develop a more sapiential theology, necessary in the context of a strong break between faith and reason, and not lose sight of that ecclesial wisdom, capable of presenting the cross of Christ to the world as true Wisdom of God, the source of all true hope for the world. [ABSTRACT FROM AUTHOR]

Copyright of Constelaciones (2340-177X) is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario de la Sociedad Argentina de Historia de la Educación is the property of Argentinean Society of History of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The compiled material allows a reenactment of the project process. A building “open and very light that could be easily demolished”, developing an itinerary-pavilion based on the exhibited objects; these are the criteria expressed in the project description. The restitution of the pavilion in the context of the fifties, and from the relationships between architects and visual artists, is getting concrete in the group of the street “Bretón de los Herreros” and ends up with the nstallation of the interiors of the Brussels pavilion by J.A. Corrales and R.V. Molezún in 1958. In contrast to the thoughts that others architects had expressed in the “Sesiones de Crítica de Arquitectura”, the resemblance of themes with Le Corbusier and experiences of the Independent Group, as well as the incorporation of direct allusions to Constructivism, Dadaism and Neoplasticism, allow us to conclude that this “missing link” is essential in the process of formal depuration of the architect, which will finish with the cubes or “magic boxes”.